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This week on Podcast Like It’s the 2000s, Phil and Emily continue their deep dive into Pixar’s 2000s run with Finding Nemo, joined by critic and writer Caroline Framke.
Released in 2003, Finding Nemo marked a major turning point for Pixar pairing cutting-edge animation with a surprisingly emotional story about parenthood, fear, and letting go. The group breaks down how revolutionary the film felt at the time, why it still holds up as one of Pixar’s most accessible crowd-pleasers, and how its influence reshaped both animation and merchandising culture in the years that followed.
They also dig into Albert Brooks’ anxious Marlin, Ellen DeGeneres’ instantly iconic Dory, the film’s surprisingly existential undertones, and the question of whether Finding Nemo has been culturally overshadowed by later Pixar classics or simply made to look “conventional” by its own success.
Along the way, the conversation touches on disability representation, Pixar’s evolving thematic ambitions, and why the ocean remains one of cinema’s most quietly terrifying settings.
You can find Caroline Framke at: www.carolineframke.com
Support the show:
Get more from Podcast Like It's... on Patreon
Hosted on Acast. See acast.com/privacy for more information.
By Rebel Talk Network4.3
192192 ratings
This week on Podcast Like It’s the 2000s, Phil and Emily continue their deep dive into Pixar’s 2000s run with Finding Nemo, joined by critic and writer Caroline Framke.
Released in 2003, Finding Nemo marked a major turning point for Pixar pairing cutting-edge animation with a surprisingly emotional story about parenthood, fear, and letting go. The group breaks down how revolutionary the film felt at the time, why it still holds up as one of Pixar’s most accessible crowd-pleasers, and how its influence reshaped both animation and merchandising culture in the years that followed.
They also dig into Albert Brooks’ anxious Marlin, Ellen DeGeneres’ instantly iconic Dory, the film’s surprisingly existential undertones, and the question of whether Finding Nemo has been culturally overshadowed by later Pixar classics or simply made to look “conventional” by its own success.
Along the way, the conversation touches on disability representation, Pixar’s evolving thematic ambitions, and why the ocean remains one of cinema’s most quietly terrifying settings.
You can find Caroline Framke at: www.carolineframke.com
Support the show:
Get more from Podcast Like It's... on Patreon
Hosted on Acast. See acast.com/privacy for more information.

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