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In this episode, Gian Carlo sits down with Nikita Khatsarevich, a Ukrainian-born cinematographer now based in Warsaw, for an honest and wide-ranging conversation about building a creative career from the ground up. Nikita traces his path from a small industrial city in Zaporizhia — where he almost became a jazz trumpet player — to climbing every rung of the camera department starting at 16, driven by a simple philosophy: find work that doesn't feel like work. He opens up about the unglamorous in-between periods of a freelance career, the unpredictable waves of busy and quiet months he still can't explain after nine years in the industry, and how he's learned to fill those gaps with life rather than anxiety. The conversation moves through his use of Unreal Engine as a pre-production tool, his decision to build the Black Side community after not finding the cinematography resource hub he was looking for, and his upcoming leap into YouTube — something he admits had his hands shaking. Through it all, a recurring theme emerges: Nikita's creative restlessness, his drive to keep challenging himself technically and personally, and his belief that every commercial job is just a rep in the gym preparing him for something bigger.
By Gian Carlo Stigliano5
3838 ratings
In this episode, Gian Carlo sits down with Nikita Khatsarevich, a Ukrainian-born cinematographer now based in Warsaw, for an honest and wide-ranging conversation about building a creative career from the ground up. Nikita traces his path from a small industrial city in Zaporizhia — where he almost became a jazz trumpet player — to climbing every rung of the camera department starting at 16, driven by a simple philosophy: find work that doesn't feel like work. He opens up about the unglamorous in-between periods of a freelance career, the unpredictable waves of busy and quiet months he still can't explain after nine years in the industry, and how he's learned to fill those gaps with life rather than anxiety. The conversation moves through his use of Unreal Engine as a pre-production tool, his decision to build the Black Side community after not finding the cinematography resource hub he was looking for, and his upcoming leap into YouTube — something he admits had his hands shaking. Through it all, a recurring theme emerges: Nikita's creative restlessness, his drive to keep challenging himself technically and personally, and his belief that every commercial job is just a rep in the gym preparing him for something bigger.

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