99% Invisible

The Chase logo was introduced in 1961, when the Chase National Bank and the Bank of the Manhattan Company merged to form the Chase Manhattan Bank. At the time, few American corporations used abstract symbols for their identification. Seen as radical in that context, the Chase symbol has survived a number of subsequent mergers and has become one of the world’s most recognizable trademarks. Its graphic designer, Tom Geismar, has been a driving force in the field of design and graphic identity for over 60 years. The influence of the firm he co-founded can be felt in logos you see every day.

Making a Mark: Visual Identity with Tom Geismar

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When current President Donald Trump took office, he promised to build an “an impenetrable, physical, tall, powerful, beautiful, southern border wall." The first part of this episode by Radio Diaries tells two stories of what happens when, instead of people crossing the border, the border crosses the people. Then, in part two of the show, Avery Trufelman takes a closer look at eight current designs that have been turned into prototypes near the border in California.

Border Wall

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In the 1970s it looked like the beloved, 200-year-old Cape Hatteras lighthouse was in danger. The sea was getting closer and threatening to swallow it up. And people were torn over what to do about it - they could move the lighthouse, or leave it in place and try to defend it against the forces of nature. For the next 30 years, the locals fought an intense political battle over this decision. It’s the kind of battle we can expect to see a lot more of as sea levels rise and threaten coastal communities around the world.

Managed Retreat

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Cartoonist and theorist Scott McCloud has been making and thinking about comics for decades. He is the author of Understanding Comics: The Invisible Art. This classic volume explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used.

Scott McCloud breaks down some of the universals in comics and guides us through some of the comic books that pushed the art form forward. Then we use that lens to look at graphic communication in the world at large.

Speech Bubbles: Understanding Comics with Scott McCloud

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When air conditioning was invented in 1902, it was designed to take out the humidity in the air so printers could run four color magazines, without the colors becoming offset due to the paper warping from moisture. A young engineer named Willis Carrier developed a system that pumps air over metal coils cooled with ammonia to pull moisture from the air, but it had a side effect -- it also made the air cooler. Very quickly Carrier began to think about how it could be used beyond printing. Ultimately, air conditioning would dramatically change where people in the United States lived and the design of homes and other buildings.

Thermal Delight

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This part two of the 2017/2018 mini-stories episodes, where Roman interviews the staff and our collaborators about their favorite little design stories that don’t quite fill out an entire episode for whatever reason, but are cool 99pi stories, nonetheless.

We have underground tunnels, alarms, mysterious filing cabinets, and gold, tiny, tiny amounts of gold. Prepare to be very interesting at your next party.

Mini-Stories: Volume 4

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Japan’s Shinkansen doesn’t look like your typical train. With its long and pointed nose, it can reach top speeds up to 150–200 miles per hour. It didn’t always look like this. Earlier models were rounder and louder, often suffering from the phenomenon of "tunnel boom," where deafening compressed air would rush out of a tunnel after a train rushed in. But a moment of inspiration from engineer and birdwatcher Eiji Nakatsu led the system to be redesigned based on the aerodynamics of three species of birds. Nakatsu’s case is a fascinating example of biomimicry, the design movement pioneered by biologist and writer Janine Benyus.

This is one of a series of design videos we're launching in partnership with Vox.

Biomimicry

Subscribe to Vox’s YouTube channel here: http://goo.gl/0bsAjO

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It’s the end of the year and time for our annual Mini-stories episodes. Mini-stories are quick hit stories that were maybe pitched to us from someone in the audience, or something interesting we saw on twitter, or just a cool tidbit that we found in our research that stuck in our heads, but didn’t warrant a full episode for whatever reason. We’ll have stories of mysterious ice boats, green ruins, sack dresses, steampunk violins, and a little update from a couple of the notable city flags that have been redesigned around the country.

Mini-Stories: Volume 3

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In the early morning of August 5, 2001, artist Richard Ankrom and a group of friends assembled on the 4th Street bridge over the 110 freeway in Los Angeles. They had gathered to commit a crime. Years before, when Ankrom was driving through downtown Los Angeles, he was going to merge onto the I-5 North. But he missed the exit and got lost. The I-5 exit wasn’t indicated on the green overhead sign. It was clear to Ankrom that the California Department of Transportation had made a mistake. And for some reason, this stuck with him. Ankrom, an artist and sign painter, decided to make the Interstate 5 North shield himself. He also decided that he would take it upon himself to install it above the 110 freeway.

He would call it an act of “guerrilla public service.”

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In the past fifty years, the car crash death rate has dropped by nearly 80 percent in the United States. And one of the reasons for that drop has to do with the “accident report forms” that police officers fill out when they respond to a wreck. Officers use these forms to document the weather conditions, to draw a diagram of the accident, and to identify the collision’s “primary cause.” All that information gathered on the side of the road goes from the accident report form into a federal database: the Fatality Analysis Reporting System.

Car companies, safety advocates, and regulators comb through this data constantly, looking for patterns that help them understand how and why people die in car wrecks. In turn, this information helps designers and engineers create safer vehicles and roadways. The data informs all kinds of design decisions around car safety — everything from speed limits to mandatory seat belts.

But this culture of heavily regulated, data-driven, auto-safety engineering did not always exist. In fact, for decades, automakers tried to keep data about car wrecks to themselves. They not only resisted making cars safer, they argued the very idea of a “safe car” was impossible.

The Nut Behind the Wheel

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