99% Invisible

While the 1960s shift in print and TV advertising has been heavily documented and mythologized by Mad Men, Madison Avenue’s radiophonic collision with the counterculture is less well known. A radio advertising producer, writer, and composer, Clive Desmond takes listeners on a highly subjective journey through one narrow, eccentric, corridor of radio advertising. Here, he has rescued beautiful forgotten nuggets of radio history and delicately arranged them into a glittering associative chain—a constellation of jingles and spots that somehow all add up to more. A version of episode was originally featured on The Organist, a bi-weekly experimental arts-and-culture program from McSweeney's and KCRW.

A 700-Foot Mountain of Whipped Cream

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For a long time, anti-counterfeiting laws made it illegal to show US currency in movies. Now you can show real money, but fake money is often preferred. Creating fake money that doesn’t break the law, but looks real enough for film, is a tough design challenge.

Money Makers

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When a new movie comes out, most of the praise goes to the director and the lead actors, but there are so many other people involved in a film, and a lot of them are designers. There are costume designers and set designers, but also graphic designers working behind the scenes on every single graphic object that you might need in a film. It’s Annie Atkins’s job to design them.

Hero Props

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Back in the 1950s, St. Louis was segregated and The Ville was one of the only African-American neighborhoods in the city. The community was prosperous. Black-owned businesses thrived and the neighborhood was filled with the lovely, ornate brick homes the city has become famous for.

But driving around The Ville today, the neighborhood looks very different. Some buildings are simply rundown or abandoned, but others are missing large chunks entirely. Walls have disappeared. The bricks are gone. "We call them dollhouses," says local Alderman Samuel Moore, "because you can look inside of them."

People have been stealing the bricks.

Dollhouses of St. Louis

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New York was built at the mouth of the Hudson River, and that fertile estuary environment was filled with all kinds of marine life. But one creature in particular shaped the landscape: the oyster. It is estimated that trillions of oysters once surrounded New York City, filtering bacteria and acting as a natural buffer against storm surges.

Over time, pollution and other environmental changes killed off that oyster population. But a group of landscape architects are designing artificial oyster reefs to help protect the city and foster a better relationship between the natural and built environment along this coastal edge.

Oyster-tecture

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There are a lot of Gothic churches in Spain, but this one is different. It doesn’t look like a Gothic cathedral. It looks organic, like it was built out of bones or sand. But there’s another thing that sets it apart from your average old Gothic cathedral: it isn’t actually old.

Gaudí wasn’t able to build very much of his famous church before he died in 1926. Most of it has been built in the last 40 years, and it still isn’t finished. Which means that architects have had to figure out, and still are figuring out, how Gaudí wanted the church to be built

La Sagrada Familia

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The United States is one of just a handful of countries that that isn’t officially metric. Instead, Americans measure things our own way, in units that are basically inscrutable to non-Americans, nearly all of whom have been brought up in an all-metric environment. Most of the world uses meters, liters, and kilograms, not yards, gallons, and pounds. With so many industries and people crossing borders with so much fluidity, why has the U.S. not fully committed to the system the rest of the world uses? The answer is complicated.

Half Measures

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It’s hard to overstate the vastness of the Skid Row neighborhood in Los Angeles. It spans roughly 50 blocks, which is about a fifth of the entire downtown area of Los Angeles. It’s very clear when you’ve entered Skid Row. The sidewalks are mostly occupied by makeshift homes. A dizzying array of tarps and tents stretch out for blocks, improvised living structures sitting side by side.

The edge of Skid Row is clearly defined and it wasn’t drawn by accident.  It’s the result of a very specific plan to keep homeless people on one side and development on the other. And, perhaps surprisingly to outsiders: it’s a plan that Skid Row residents and their allies actually designed and fought for.

The Containment Plan

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Among the most important advances in sports technology, few can compete with the invention of the sports bra. Following the passage of Title IX in 1972, women’s interest in athletics surged. But their breasts presented an obstacle.

The Athletic Brassiere

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Ponte City Tower, the brutalist cylindrical high-rise that towers over Johannesburg, has gone from a symbol of white opulence to something far more complicated. It’s gone through very hard times, but also it’s hopeful. It’s a microcosm of the South Africa’s history, but it’s also a place that moves on. And to this day, this strange concrete tube at the center of Johannesburg’s skyline continues to play the same role for newcomers that it has for decades: serving as the diverse entry point to the city.

Ponte City Tower

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