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Bernadette Robinson’s acclaimed performances in multiple sell-out seasons of the one-woman musical plays Songs For Nobodies and Pennsylvania Avenue have confirmed her standing as one of Australia’s leading singer/actresses.
Audiences and critics alike loved both shows: “The audience is on its feet with a standing ovation” (The Age), “Bernadette Robinson’s performance is theatrical alchemy” (Herald Sun), “Beyond virtuosity to the sublime” (The Australian).
After he saw Songs For Nobodies for the second time, Barry Humphries announced that “Bernadette is a major talent and a spellbinder”. Like Humphries, Australia’s general theatre-going public had discovered Bernadette’s virtuosic acting skills and her uncanny ability to inhabit the voices of famous singers such as Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and many others.
Bernadette played the role of Beatrice in Nick Enright and Terry Clarke’s The Venetian Twins, and has appeared in lead roles with Chamber Made Opera and Wellington City Opera. She is a familiar figure on Australian concert stages, having given sell out concerts at the Sydney Opera House, Adelaide Festival Centre, the Melbourne Recital Centre and its neighbour, Hamer Hall, and the Queensland Performing Arts Centre.
Bernadette studied voice with the legendary Dame Joan Hammond at the Victorian College Of The Arts before embarking on her professional career in productions of The Pirates of Penzance, Nine and Cats. She presented her earlier solo shows You Might As Well Live, Calling All Angels and Patsy Cline: Her Songs, Her Story around Australia to critical and audience acclaim.
In addition to her one-woman shows, Bernadette has had great success performing at high profile events for large corporates across Australia and (singing in English and in local languages) in Tokyo, Beijing (during the 2008 Olympic Games), Shanghai (during the 2010 World Expo), Hong Kong, Macau, Buenos Aires, Singapore, Paris, New York, Los Angeles, San Francisco and Toronto.
Following the success of her previous, sold-out one-woman shows, Bernadette Robinson is returning to Australian stages with the World Premiere of her post-pandemic solo tour-de-force, DIVAS.
It was STAGES great pleasure to catch up with this consummate artist following a week of rehearsals, nearing her to Opening night.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au
By Peter Eyers4.8
44 ratings
Bernadette Robinson’s acclaimed performances in multiple sell-out seasons of the one-woman musical plays Songs For Nobodies and Pennsylvania Avenue have confirmed her standing as one of Australia’s leading singer/actresses.
Audiences and critics alike loved both shows: “The audience is on its feet with a standing ovation” (The Age), “Bernadette Robinson’s performance is theatrical alchemy” (Herald Sun), “Beyond virtuosity to the sublime” (The Australian).
After he saw Songs For Nobodies for the second time, Barry Humphries announced that “Bernadette is a major talent and a spellbinder”. Like Humphries, Australia’s general theatre-going public had discovered Bernadette’s virtuosic acting skills and her uncanny ability to inhabit the voices of famous singers such as Judy Garland, Patsy Cline, Billie Holiday, Edith Piaf and many others.
Bernadette played the role of Beatrice in Nick Enright and Terry Clarke’s The Venetian Twins, and has appeared in lead roles with Chamber Made Opera and Wellington City Opera. She is a familiar figure on Australian concert stages, having given sell out concerts at the Sydney Opera House, Adelaide Festival Centre, the Melbourne Recital Centre and its neighbour, Hamer Hall, and the Queensland Performing Arts Centre.
Bernadette studied voice with the legendary Dame Joan Hammond at the Victorian College Of The Arts before embarking on her professional career in productions of The Pirates of Penzance, Nine and Cats. She presented her earlier solo shows You Might As Well Live, Calling All Angels and Patsy Cline: Her Songs, Her Story around Australia to critical and audience acclaim.
In addition to her one-woman shows, Bernadette has had great success performing at high profile events for large corporates across Australia and (singing in English and in local languages) in Tokyo, Beijing (during the 2008 Olympic Games), Shanghai (during the 2010 World Expo), Hong Kong, Macau, Buenos Aires, Singapore, Paris, New York, Los Angeles, San Francisco and Toronto.
Following the success of her previous, sold-out one-woman shows, Bernadette Robinson is returning to Australian stages with the World Premiere of her post-pandemic solo tour-de-force, DIVAS.
It was STAGES great pleasure to catch up with this consummate artist following a week of rehearsals, nearing her to Opening night.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

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