Hosts Tasha Huo and Josh Hallman answer listener and Screenwriting Twitter questions about what to do with conflicting notes, and discuss some TWIW in their own lives, from the many tiers of a single pitch before getting the job to their feelings (and realities) about a 10-year-old being hired to develop a studio movie.

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman talk about where the ideas for three of their Film & TV scripts came from, where they were in their lives when it happened, and what can be learned about Idea Creation from that process.

TWIW - Revising Strategy: Start with a Blank Page / Is Roadhouse in the zeitgeist? 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

The favorite thing a screenwriter can do is to Network! Not really. Hosts Tasha Huo and Josh Hallman dive into all things networking and what that means for a screenwriter. We discuss the dos and don'ts when you're forced out of your comfort zone and find yourself trying to make new connections. 

We all get notes, but sometimes we know they're not the right notes. Hosts Tasha Huo and Josh Hallman discuss when to take the note or when to stand your ground. There is a lot to consider: Are you getting paid? Are you writing on spec? Who is giving the note? How long have you been working on the script? Will it change the script? For better or worse, no scenario is the same.

Tasha has lost her voice so this is a Retake: Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.

Questions/Comments: [email protected] -- Edited by Paul Lundquist

Hosts Tasha Huo and Josh Hallman discuss their Oscar predictions and why, what movies they feel were snubbed, their favorite Oscar traditions, and what makes a script adapted vs. original? Also they ANNOUNCE their first ever Act Two Patreon Oscar Pool! Join now to receive the Oscar Ballot and try your hand at winning this year's prize!

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

Host Tasha Huo brings on her Gersh agent, Mark Hartogsohn, for the first in a series designed to help Screenwriters navigate what it means to get an Agent and maximize your working relationship once you have an Agent. In this introductory installment, Tasha and Josh discuss how Mark became a Hollywood agent, what it means to be a Lit Agent for Screen and TV Writers, and how he goes about finding new clients.

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

Fresh from being told she *didn't* get the job, host Tasha Huo talks about the process of putting together a series pitch for one of her favorite IPs, what her process was, and what it was like to be told you didn't get the job. 

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

Hosts Tasha Huo and Josh Hallman take you through a Fireside Chat of real-life stories of working Screenwriters, including real hurdles, obstacles and situations that professional Screenwriters have come up against and what to do in those situations.

TWIW: Are you too old to start your Screenwriting career? / Why you shouldn't copyright your scripts. / Tasha & Josh finished breaking their spec, what next? / Is the Apple Vision Pro going to change Screenwriting? / The value of traditional weekly-released TV shows. / What is the tone of the new Mr. & Mrs. Smith TV show?

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist 

It is the bane of any Screenwriter's existence when they turn in their perfect screenplay only to be told they need to cut 10 pages. Whether it's for the read or for production, hosts Tasha Huo and Josh Hallman discuss their step-by-step process for cutting pages when you absolutely don't want to, but HAVE to.

Questions / Comments: [email protected]

Edited by the GREAT Paul Lundquist