Chas Edwards is a co-founder and publisher of both Pop-Up magazine—a roving circus that brings magazine journalism to life in staged events—and the print publication it spawned, California Sunday Magazine. Taken together, the two represent a new kind of media company. Edwards breaks down of what it all is, how its evolved and how its unique business model is helping the publisher thrive.

You may know Aardman Animation as the creative force behind Wallace and Gromit, "Shaun the Sheep" and "Chicken Run." This weekend its seventh feature film, "Early Man" comes to our shores. But the recognizably Aardman characters the studio is well known–and beloved–for, only comprise 5 percent of its branded content output. Heather Wright fills us in on the other 95 percent. An executive producer and head of partner content at the studio, Wright works with brands on storytelling in a wide array of media, not just animation – but AR and VR for clients including Google and the BBC.

There's a lot of talk in the marketing and advertising industries about diversity — but not a ton of walking. Antonio Lucio is one of the walkers. Lucio talks about his diversity drive on today's podcast and also breaks down his view of the state of marketing in 2018. Along the way, he shares a little of his own personal journey, how his childhood in Spain and Puerto Rico shaped who he is today, and why a diagnosis of depression changed him.

Bryan Buckley has nearly 60 Super Bowl credits to his name, directing spots for a bevy of brands ranging from Monster.com and Cash4Gold to Coca-Cola and Bud Light. In this podcast, Buckley discusses what it's like working with high-profile celebrities like Alec Baldwin and Martin Scorcese, the Super Bowl ad he wishes he made and his most recent Super Bowl efforts for Febreze.

Kevin Hamilton has experienced first-hand the pressure to pull off a Super Bowl ad. As the senior director of marketing at Avocados From Mexico, Hamilton is charged with promoting the produce on TV's biggest stage. In this podcast, we explore the continued importance of TV advertising, the gender gap in Super Bowl ads and how he decides what's funny.

Brian Nolan has a music fan's dream job. As the senior vice president of Capitol Records' in-house division focused on brand partnerships and licensing, Nolan is tasked with bringing new or under-exposed music to potentially huge audiences. In this podcast we touch on his work with artists ranging from Sam Smith to Migos to Halsey. We also explore how the music industry has adjusted to and evolved with the rise of streaming—and how he decides what to surface for advertisers, movies and TV shows.

If you've spent any time in agency circles, you haven't seen a lot of people who look or talk like Harry. Tall, bearded, often tie-died and bolo tied, Bernstein, who goes by Harry Bee, is as apt to talk about clean living and guided meditation as he is trap music and Adidas collabs. In September, Havas acquired The 88, the social media and digital shop he founded in 2010, and brought him on as chief creative officer of the New York office. We talk today about his non-traditional approach to advertising.

Recent research has found that smart speakers such as Amazon Echo and Google Home will be in 55 percent of all U.S. households by 2022. That's a lot of skills. To help us break down what this all means — for consumers, marketers, content providers, non-profits and more — we're joined by Doug Robinson, CEO of Fresh Digital Group. Robinson's team has built some 400 skills for clients ranging from ESPN to BMW and UNICEF to Toys R Us among many others. Robinson breaks down how consumers are using these smart speakers, what's coming down the pike in terms of the tech, and what people just get wrong about voice.

In a note at the end of 2017, Quartz publisher Jay Lauf gave his thanks to readers and advertisers, making it a point of pride that the commercial team at Quartz had been "very deliberate" about never putting its inventory on open exchanges. Sounds a bit in-the-weeds, but in a year where brand safety was top of mind for publishers and brands alike, Quartz's five-year resistance to go the programmatic route seems downright prescient today. We discuss this perspective, as well as what it means to be "Quartzy," and how the digital media landscape is shaping up in 2018.

The co-founder and CEO of the travel media company Skift, Ali is a digital media veteran. We talk about his childhood in India and what made him want to get into media. He takes us on a tour through internet 1.0 with stops at Inside.com and PaidContent, the first company he founded. And we arrive at the here and now, where Ali is an advocate for niche media brands and the pivot to quality.