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Rachel and Simon speak with business journalist and author James Ashton. James was city editor and executive editor of the Evening Standard and Independent titles and before that city editor of the Sunday Times. He has also written for the Telegraph, Times, Daily Mail, Scotsman, Business AM and Reuters. His book “The Nine Types of Leader” chronicles the different categories of CEO he has encountered in over twenty years of journalism. We spoke to James about the art of the CEO interview, his book, and what it's like to move from working at a newspaper to working freelance.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Rachel and Simon speak with feature writer Sirin Kale. After a stint in lobbying, Sirin turned to journalism and worked at Dazed & Confused and Vice UK. Now freelance, she contributes to publications including the Guardian, where she writes the widely read “Lost to the Virus” series, Observer, Vogue, Wired, GQ and 1843 Magazine. We talked to Sirin about her decision to change careers, the importance of time management and reporting sensitive stories.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Simon and Rachel talk with magazine editor Ed Needham. Today Ed single-handedly writes and edits Strong Words, a literary journal for book lovers who want to locate their next great read more accurately amid an ocean of new product. Formerly Ed was editor of FHM in London during its million-selling heyday in the 1990s, then moved to New York in 1999 to launch and edit the American edition. In New York he was also managing editor of Rolling Stone and editor-in-chief of US Maxim, at a time when that title was the biggest men’s magazine in the world. We spoke to Ed about his time at FHM at the height of 'lads' mags', his stints at American magazines, and how he set up and runs Strong Words.
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Simon and Rachel talk with the nature writer Rebecca Giggs. Rebecca, who is from Perth, Australia, writes about how people feel towards animals in a time of technological and ecological change. Her work has appeared in the Atlantic, the New York Times Magazine, Granta, and in anthologies including Best Australian Essays and Best Australian Science Writing. We spoke with Rebecca about “Fathoms: the World in the Whale”, her debut non-fiction book, her exhaustive research process and about the Australian literary scene.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Rachel and Simon talk to magazine writer and author Samanth Subramanian. Samanth is a contributing writer to the Guardian Long Read, and his writing has also appeared in the New Yorker, the New York Times Magazine, WIRED, Granta, Harper's and 1843, among other publications. He is the author of three books, “Following Fish: Travels Around the Indian Coast,” (which won the Shakti Bhatt First Book Prize in 2010), “This Divided Island: Stories from the Sri Lankan War” (winner of the 2015 Crossword Prize for Non-Fiction) and his latest, “A Dominant Character: The Radical Science and Restless Politics of J. B. S. Haldane”, published in 2020. We spoke to Samanth about studying journalism as an undergraduate, his transition to narrative journalism, and about the gruelling realities of freelance life.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Artemis Irvine. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Simon and Rachel speak with agent Emily Hayward-Whitlock, head of the book-to-film department at The Artists Partnership. Emily handles the film and TV rights for various literary agencies and publishers, including Rogers Coleridge and White, Serpent’s Tail, Janklow and Nesbit, Unbound, Profile Books and Nosy Crow. Her recent deals include Richard Osman’s bestselling novel, “The Thursday Murder Club”, to Amblin Pictures and Gail Honeyman’s “Eleanor Oliphant is Completely Fine” to Hello Sunshine, Reese Witherspoon’s production company. We spoke to Emily about what kinds of books are most attractive for film and TV, how much involvement a writer can expect to have in adaptations of their work and the ascendancy of streaming services.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Katy Lee. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Rachel and Simon speak with Patrick Radden Keefe, a staff writer at The New Yorker magazine and author of three books. Patrick's most recent title is the best-selling “Say Nothing: A True Story of Murder and Memory in Northern Ireland.” His work at The New Yorker, where he has been a contributor since 2006, has received the National Magazine Award for Feature Writing. “Say Nothing” received the Orwell Prize for Political Writing and the National Book Critics Circle Award. We spoke to Patrick about his early reporting on the US National Security Agency, his entry to The New Yorker, and the challenge of researching and writing “Say Nothing.”
https://www.newyorker.com/magazine/2016/05/30/herve-falcianis-great-swiss-bank-heist
https://www.newyorker.com/magazine/2019/01/07/how-mark-burnett-resurrected-donald-trump-as-an-icon-of-american-success
https://www.newyorker.com/magazine/2015/09/28/the-avenger
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Katy Lee, who also handles our social media. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Simon and Rachel speak with Phoebe Hurst. As the managing editor of Vice UK, Phoebe is responsible for commissioning and editing stories with a youth-focused lens; she has also written about topics as varied as mental health, plastic waste, and the rise of Pret A Manger. Before that, she was the editor of Munchies, Vice's food channel, and has freelanced for publications including Wired, the Guardian and Dazed. We spoke to Phoebe about getting started in journalism, the joys of a good editor and the fabled “Vice Voice”.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Katy Lee, who also handles our social media. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Rachel and Simon speak with prolific novelist Alexander McCall Smith. Alexander was a professor of Medical Law, before turning his hand to writing fiction. His first book, “The White Hippo”, a children’s title, was published in 1980. But it wasn’t until the appearance of the highly successful “The No. 1 Ladies’ Detective Agency” series that Alexander became a household name. The series has now sold over twenty million copies in English alone. Alexander’s various series of books have been translated into forty-six languages. Others include the “44 Scotland Street” novels and the Isabel Dalhousie books. Recently, he launched the Ulf Varg series of ‘Scandi blanc’ novels set in Sweden. Alexander talked to us about his rapid writing pace, the moral questions of detective novels and the idea of cultural appropriation.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Katy Lee, who also handles our social media. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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Simon speaks with the writer and novelist Linda Grant. She began her career as a journalist, writing for the Guardian and the Independent on Sunday, before publishing “The Cast Iron Shore”, her first novel, in 1996. Her subsequent books include “Remind Me Who I Am, Again” (1998), “When I Lived in Modern Times” (2000), “Still Here” (2000), “The People on the Street” (2005) and “The Clothes on their Backs” (2008). Her work has variously won or been nominated for a clutch of prizes, including the Orange Prize for Fiction, the Man Booker Prize and the Letter Ulysses Prize for Literary Reportage. Linda talked about literary touchstones, writing great dialogue and “A Stranger City”, her latest novel.
You can find us online at alwaystakenotes.com, on Twitter @takenotesalways, and on Facebook at facebook.com/alwaystakenotes. Our crowdfunding page is patreon.com/alwaystakenotes. Always Take Notes is presented by Simon Akam and Rachel Lloyd, and produced by Katy Lee, who also handles our social media. Our music is by Jessica Dannheisser and our logo was designed by James Edgar.
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