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Arifa Akbar tells Michael Berkeley about her nocturnal life as a theatre critic and her desire to tell the story of her sister's death from tuberculosis.
Arifa Akbar almost never has a quiet night in; as chief theatre critic of the Guardian she is out reviewing a production almost every evening. She also sits on the boards of the Orwell Foundation and of English PEN, and judges prizes including the UK Theatre Awards and the Women’s Prize for Fiction.
In conversation with Michael Berkeley, she discusses the book she wrote about the death of her older sister, Fauzia, from tuberculosis, in which she explores Fauzia’s troubled life and why the medical profession failed to diagnose her illness until it was too late.
Arifa chooses music from Bollywood films which remind her of her childhood, which was split between a prosperous and lively extended family in Lahore and poverty and social isolation in London. And she reveals how, after the death of her sister, she began to explore the tubercular heroines of nineteenth-century opera. Initially repelled by the glamorization of these women dying awful deaths, she has now come to love the music of Verdi and Puccini.
Producer: Jane Greenwood
4.3
3030 ratings
Arifa Akbar tells Michael Berkeley about her nocturnal life as a theatre critic and her desire to tell the story of her sister's death from tuberculosis.
Arifa Akbar almost never has a quiet night in; as chief theatre critic of the Guardian she is out reviewing a production almost every evening. She also sits on the boards of the Orwell Foundation and of English PEN, and judges prizes including the UK Theatre Awards and the Women’s Prize for Fiction.
In conversation with Michael Berkeley, she discusses the book she wrote about the death of her older sister, Fauzia, from tuberculosis, in which she explores Fauzia’s troubled life and why the medical profession failed to diagnose her illness until it was too late.
Arifa chooses music from Bollywood films which remind her of her childhood, which was split between a prosperous and lively extended family in Lahore and poverty and social isolation in London. And she reveals how, after the death of her sister, she began to explore the tubercular heroines of nineteenth-century opera. Initially repelled by the glamorization of these women dying awful deaths, she has now come to love the music of Verdi and Puccini.
Producer: Jane Greenwood
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