The "stay positive and keep it simple" approach Ann Dowd has toward her work is truly inspiring. A go-to character-actor-extraordinaire for 30 years, she has now received wide acclaim (and an Emmy) for her portrayal of the terrifyingly devout Aunt Lydia in "The Handmaid's Tale." And her pitch perfect performance in Craig Zobel's "Compliance" is, in my opinion, a tour de force for the ages. In this half hour, she talks about the nuts and bolts of playing these roles and generously lets us peek "under the hood" at the inner workings of her craft. Inspiration is guaranteed.

Grace Rex has been a series regular on the British sitcom "High and Dry," a recurring guest star on "The Good Wife," and had roles in "Master of None", "Mindhunter" and "Boardwalk Empire," among many other TV shows and films. For me, her finespun and hilarious work in Ingrid Jungermann's "Women Who Kill" solidified her place among the uniquely talented comedic actors to watch. We talk about one special moment in that film, the "bizarre" endeavor of auditioning, and NOT getting into a co-dependent relationship with acting.

We really get to know the brilliant actor Theodore Bouloukos in this hour. He lets us peek in on him as a child fascinated, perhaps to a peculiar degree, with design, typography, and channel logos. And then what led him to performance art with Brock Enright and others, and the "self training" of student film parts that led to feature roles and works exhibited and staged the world over. We learn the components that now make him a unique talent in the New York film world. I am thrilled and privileged that we get to take a journey inside the gifted mind of this one-of-a-kind performer, and I think you will be as well.

John Christopher Jones is a veteran "actor's actor" with many Broadway shows including Simon Gray's "Otherwise Engaged" (directed by Harold Pinter), "Hurlyburly" (directed by Mike Nichols), "The Iceman Cometh" (with Jason Robards), and Shaw's "Heartbreak House." He is the subject of a documentary film, "The Endgame Project," which follows him in his tenth year with Parkinson's as he rehearses and performs Beckett's masterpiece. A "text-lover" through and through, he continues to translate the major plays of Chekov (he received a Lortel Award for his version of "The Cherry Orchard") and work on his memoir. I've often heard the word "craftsman" used in relation to an actor, but not until talking to Mr. Jones did its full meaning sink in.

There is, perhaps, no actor at the moment more synonymous with New York indie filmmaking than Keith Poulson. His uncanny comedic sensibilities first caught my attention in Bob Byington's "Somebody Up There Likes Me." He's since honed his mastery of the low key "throw away" in dozens of low budget gems and appeared in nearly everything made recently by the prolific Brooklyn filmmakers Alex Ross Perry and Nathan Silver. He got to stretch his wings a bit in Zach Clark's "Little Sister," where he played a severely disfigured Iraq War veteran. We talk about the incestuous world of independent film acting in New York City, why he can't do sit-coms, and the beauty of Ctrl-F.