Today, I’m so excited to announce my interview with legendary actress Cherry Jones. Tune in to hear some of the stories of her distinguished career, including how Andrei Serban taught her how to act, why Colleen Dewhurst was her biggest inspiration, witnessing the difficult relationship between Glenda Jackson and Zoe Caldwell on Macbeth, her theories about the plot of Doubt, the process of flying as the title character in Angels in America, the celebration she planned for the closing night of her first Broadway show, why Major Barbara was an easier role to do, the two plays from last season that she liked the most, why she relies heavily on directors, and so much more.

Today, I’m so excited to announce my interview with 2023 Tony winner Casey Nicholaw, whose show Some Like it Hot runs through December 30th. Tune in today to hear some of the stories of his legendary career, including the stroke of good luck that led to his Broadway debut, returning to performing recently for one week, why Encores reminds him of summer stock, collaborating with Mike Nichols, the changes made to Aladdin out of town, why tap is his favorite style of dance, the process of restaging Dreamgirls, the difference between older and younger performers in the rehearsal room, staging the dream ballet in Tuck Everlasting, the joyous process of bringing The Drowsy Chaperone to Broadway, and more.

Today, I’m so excited to announce my episode with Broadway director Schele Williams, who is helming the upcoming Broadway productions of The Wiz and The Notebook. Tune in to hear some of the stories of her long career, including what her new vision is for The Wiz, the International power of Rent, the process of revising Aida, the joys of telling the story of Ethel Waters, switching career paths, collaborating with Ben Vereen, her thoughts on leading a rehearsal room, and so much more. You won’t want to miss this interview with one of the most important people in the theater today.

Today, I’m so excited to announce my episode with 3-time Tony nominee Carolee Carmello. Tune in to hear some of the stories of her legendary career, including how she first got involved in Parade, her insights into the all-female 1776, being directed by Hal Prince, why Scandalous was the most vocally challenging role she’s had (hint: it wasn’t the singing), the joys of starring on TV in Remember WENN, the role she’d like to approach again, what City of Angels taught her about herself, performing Falsettos in Florida, and so much more.

Today, I’m thrilled to announce my episode with Peter Friedman, who is currently starring in the sold-out hit play Job off-Broadway. Tune in today to hear some of the stories of his legendary career, including a visit with E. L. Doctorow, working with older vaudevillians on The Tenth Man, coming into Twelve Angry Men late in the process, experiencing a career renaissance with Annie Baker and Sam Gold, why Susan Stroman is a great director, bonding with cast members of Ragtime, and so much more.

Today, I’m so happy to announce my episode with Tony nominee Mary Beth Peil. Tune in today to hear some of the stories of her legendary career, including the challenges of her opera background, falling in love with Yul Brynner, the type of feedback Stephen Sondheim always gave her, the show that came to Broadway too quickly, why she had been practicing for many years for Anastasia, being directed by Edward Albee, working with Roger Rees on The Visit, how she ended up in a starring role on Dawson’s Creek, taking on the role of King Duncan in Macbeth, and so much more. You won’t want to miss this insightful conversation with a legend of the stage.

Today, I’m so excited to announce my episode with legendary Broadway and ballet choreographer Lar Lubovitch. Tune in to hear some of the stories of his legendary career, including how he got involved in the musical theater world, founding his own dance company, Stephen Sondheim’s resistance to too much movement in Into the Woods, why Stanley Donen’s vision for The Red Shoes was unsuccessful, how standards of behavior have changed in the dance world, the story behind his dance piece Men’s Stories, choreographing the Dance of the Seven Veils, creating a darker Oklahoma with Christopher Renshaw, developing The Hunchback of Notre Dame in Germany, and so much more.

Today, I’m so excited to announce my interview with three-time Tony nominee Terrence Mann. Tune in to hear some of the stories of his legendary career, including a private notes session with Jerome Robbins, where he drew inspiration from for the Rum Tum Tugger, the audience response at The Rocky Horror Picture Show, making his Broadway debut two weeks after moving to New York, the challenges of filming A Chorus Line, the subtext Stephen Sondheim gave him about Assassins, the biblical connotations of Les Miserables, taking inspiration from a Pepperidge Farm commercial, and so much more. You won’t want to miss this in-depth interview with a true Broadway star.

I’m so happy to announce the release of my episode with theater writer Douglas J. Cohen, whose book How to Survive a Killer Musical just came out, and can be purchased at this link:

Buy Here

A studio recording of his musical The Big Time, starring Jackie Hoffman and Santino Fontana, is also out now. Tune in today to hear him tell the stories of his life and career, including his friendship with Frank Gilroy, adapting No Way to Treat a Lady for the Edinburgh Fringe Festival, the directors he’d like to collaborate with, receiving advice from Charles Strouse and Jule Styne, adapting the story of Rudolph Valentino into a musical, how No Way to Treat a Lady almost reached Broadway, his experiences teaching and mentoring, and more. You won’t want to miss this fascinating book and conversation.

Today, I’m thriilled to announce my episode with one of Broadway’s best directors, Kenny Leon, who’s producttion of Purlie Victorious began previews this week. Tune in today to hear him discuss his process and career, including his collaboration with Adrienne Kennedy in Ohio State Murders, his upcoming projects Our Town and The Help, the project he feels should’ve transferred to Broadway, what he learned about visual storytelling during Children of a Lesser God, why he felt it was important to join the producing team of Some Like it Hot, his process when he first receives a play, his conversations with August Wilson, and so much more. You won’t want to miss this masterclass in directing.