The Cinematographer for 'The Woman King', starring Viola Davis, shares what it was like to film these powerful women on location in South Africa.

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Carolyn talks with the Cinematographer for Olivia Wilde's 'Don't Worry Darling' that stars Florence Pugh and Harry Styles. He shares what it was like working with the talented cast as well as his thoughts on the rumored controversy.

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The stereographer for the new 3D take on the Steven  Spielberg classic, 'Jaws', talks about how the team​ used 3D to create tension. He worked with Spielberg to bring the film to a whole new audience.

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Carolyn talks with the Editors for the Apple TV+ smash hit, 'Ted Lasso'. Together, they share their experiences and how they cut together the Emmy-nominated second season.

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In this episode, Carolyn talks with one of the editors for the Hulu miniseries, 'Pam & Tommy'. Riegel shares how she cut some of the episodes with the help of director Craig Gillespie including a raunchy scene involving Tommy Lee's penis.

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Carolyn is joined by the composer and music supervisor for the second season of Netflix's 'Bridgerton'. Together they describe some of their music cues as well as how they chose songs to cover in the "Bridgerton" style.

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Carolyn talks with the Director of the new film in the 'Jurassic World' series. He shares how he included some callbacks to the original films and what it was like bringing the current and the original actors together for this final installment.

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In this episode, Carolyn talks to the Director of the new 'Top Gun: Maverick' who shares some behind the scenes on the making on the film as well as what the actors went through to make this movie come together.

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In this episode, Carolyn talks with the film editors of the original "Top Gun" movie in celebration of the new "Top Gun: Maverick". The duo shares how they worked with the late director Tony Scott to create such an iconic aviation film, and they even recount some behind-the-scenes stories.

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Carolyn is joined by the Director, Film Editor, and the Head of Character Animation for Dreamworks' new movie, 'The Bad Guys'. Together the team talks about working with the first-time director and utilizing an animation style not typical of Dreamworks films.

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