This week Drusilla and Josh watched Cemetery Man aka Dellamorte Dellamore starring sexy, sexy Rupert Everett. 

But first! Robert Eggers and hot directors, reclaiming the New Beverly with an Errol Flynn double feature, Woodlands Dark and Days Bewitched, Robin Redbreast, You Won't Be Alone, Josh is ignorant about Macedonia, and then they get into the feature. Dru confesses her love of Angry Video Game Nerd, Josh goes to the video store, the life-changing Videoteque in South Pasadena, "style over substance" is bullshit, City of Lost Children and Jeunet et Caro, keeping your lover's head in a box, Kate McKinnon's doppelganger Anna Fulci, Michele Suovi and Stage Fright, this movie was filmed in a real cemetery with real skeletons, Magritte's The Lovers, little ghost sperms or will o' whisps, impotence and penis surgery, Tim Burton and Pee Wee's Playhouse, hilarious car accidents and motorcycle, the infamous ending of St. Elsewhere and movies that end with being trapped in a snowglobe, and Have They Seen It? 

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We can have a mainstream arthouse movie, as a treat. Josh and Drusilla catch up after a trying week and catch up on movies. Josh watched Hour of the Wolf before going on a Bergman break. Drusilla saw David Arquette at Bob Baker Day. The duo discusses goth fitness and the Andrew WK renaissance before Josh tells yet another cocaine story. Drusilla watched At Long Last Love, which is good no matter what boomers say, and we love Polly Platt. Josh watched and loved Woodlands Dark and Days Bewitched as well as The Greasy Strangler. 

And then onto the feature, the director's cut of Ari Aster's Midsommar. Drusilla gives a trigger warning for self-harm and suicide.  Dani (Florence Pugh) has the worst boyfriend of all time. The duo compares Midsommar to Hereditary and also the differences between the director's cut and the theatrical cut. They talk gaslighting and ritual, anthropology and the terrifying old people ceremony, vacations where they weren't wanted, Josh's pagan hillbilly family, meat pies full of pubes, inbreeding, then have a long debate about using disfigured actors in horror films before playing Have They Seen It? 

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This week Drusilla and Josh talk about the criminally underseen Spanish film Arrebato by Ivan Zulueta. We talk magic and Magic Castle. The Bergman Report continues with Persona and its influence on Lynch and Altman. They also discuss Day of the Beast, playing The Sims on cocaine, Adventures in Babysitting vs Don't Tell Mom the Babysitter's Dead, Days of Wine and Roses and other drunk films, Sid and Nancy, more Shaft, and then get into the feature. This movie is so hard to describe. New wave aesthetics. Josh says Almodovar wrong a million times. This is kind of a vampire movie where you're the victim for watching it. Directors who aren't from film backgrounds or the best. Dru can't see lips. Then they play Have They Seen It?

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Everything is honky dory! Drusilla and Josh watched SO MANY MOVIES this week. Alice Doesn't Live Here Anymore, A Raisin in the Sun, Shaft, Passport to Pimlico, Mike Leigh, Sunday in New York starring Jane Fonda Josh's birthday twin, Our Flag Means Death, Josh hates Taika Waititi, Bergman Report: Cries and Whispers, Kids, Alligator, I Blame Society, and Reform School Girls.

Then they go into the feature, Val Lewton's The Seventh Victim. They discuss Lewton's deal with RKO, Cat People, the inscrutable quality and the glamor of this film, how much we love Jean Brooks as Jacqueline, Magica de Spell, suicide narratives, leather driving gloves, our favorite cults, Christopher Lee and The Wicker Man, and finally, Have They Seen It?

Boy oh boy! This is a film that Drusilla and Josh do not agree on. Josh goes on a tirade about "elevated horror" in regards to A24 and Ti West's "X". Josh saw his first Bergman film, The Seventh Seal. Drusilla watched The Girl Can't Help It for the first time. The pair discuss John Waters and taking acid at the movies. They discuss the overlap of trash movies and art movies (William Castle and Paul Verhoeven). Then they get into the feature, Roman Polanski's "The Tenant". Drusilla has a history with this movie as a sort of trans narrative. This pick was her revenge for Josh picking Takashi Miike's "Audition." Along the way they discuss Roman Polanskis' dark legacy, his apartment trilogy which includes Rosemary's Baby and Repulsion. They discuss the timeless glamor of Isabelle Adjani of Possession fame. The charm of Shelley Winters. The unfortunate tagline, "no one does it to you like Roman Polanski". Then they debate the merits and flaws of the film before getting into have They Seen It. 

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Drusilla and Josh are joined by actor, director, writer, and model Zelda Adams, the co-creator of HELLBENDER on Shudder. We discuss that movie but also The Batman, Nirvana, Fabletics, Zelda's college plans, and whether or not Robert Pattinson smells bad. Zelda picked Julia Ducournau's "Raw" as the movie of the week. We discuss vegetarianism, Heidi Montag's new diet, hazing, cinematography, Cecil B. Demented, realism, John Hughes, yeast on popcorn, Julia Decournau, French people, and play Have They Seen It. 

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Kitty, kitty, kitty! This is a rough one, and also the first movie Drusilla and Josh don't agree on. The duo discusses Takashi Miike's 1999 film, Audition.  This is THE arthouse torture porn movie and an iconic Japanese horror.  Along the way, they discuss irony and The Worst Person in the World, Boy Harsher and The Runner, Hairspray and You're the Worst, insane sculptures, torture porn, Takashi Miike as an edgelord, Audition as a feminist women's revenge film (or not), the inherent scariness of burlap sacks, Tale of Two Sisters, Waiting for Guffman, does the dog die dot com, and Have They Seen It? 

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Today's guest is artist and writer, Christian Tucci, who brought up the Nicholas Roeg masterpiece Don't Look Now. But before we get into the feature we discuss the new Apple series, Severence, a bunch of spaghetti Westerns, and the Vinegar Syndrome re-release of 1981 slasher, Just Before Dawn. 

The trio discusses so much! This is a very sophisticated episode, going into the themes of water and mirrors, but they also manage to discuss the hotness of Donald Sutherland, his son Kiefer, beautiful Julie Christie, the best sex scene of all time, and how shocking the end of this. Long Island Medium comes up and the trio discusses their histories with psychics. Did you know Venice is a character in the movie? 

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This week Drusilla and Joshua watched the Soviet/Ukrainian horror film, Viy, which was the first and possibly only Soviet horror film. Josh watched Werewolves Within, which leads to a discussion of little dogs and the people who hate them and/or hate to see them die. Drusilla watched the criminally underrated John Ritter film, Stay Tuned, which leads into problematic Jeffrey Jones and another dog. 

The pair briefly acknowledges the situation in Ukraine. Introducing the film requires a little discussion about Ukraine's place in the USSR and Gogol's history. This is a folkloric pagan horror included in Severin's folk horror boxset, All the Haunts Be Ours. It's kind of like Sondheim's Into the Woods. 

The pair does a deep dive on the plot, aesthetic, and legacy with plenty of tangents along the way. Then they play Have They Seen It before signing off, but not before announcing the next movie, 1973's Don't Look Now. 

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In this episode, Drusilla and Josh discuss one of the chicest lesbian vampire films of all time, The Hunger. It's so chic that Drusilla wore a beret! Drusilla watched Mill of the Stone Women and Josh watched Netflix's new Texas Chainsaw Massacre (2022), which was surprisingly good. The duo discusses the sequels in brief and the general pitfalls of sequels and reboots. 

Then they get into the feature which stars Catherine Deneuve, Susan Sarandon, and David Bowie. They discuss the less-than-stellar reviews from the time and how it compares to the 80s vampire films that followed.  Drusilla and Josh go through the narrative, which takes them down tangents like whether or not New York has alleyways and the makeup effects. The studio ruined the ending, maybe. 

Finally, Drusilla and Josh play Have They Seen It. They also announce the next feature, which is the Ukrainian horror film, Viy.