CAMBON PODCASTS

Since he entered the Ballet corps at the Opéra national de Paris, it only took him eight years to reach the highest level a ballet dancer could dream of. In a new episode of the 3.55 podcast CHANEL at the Opera, principal dancer Germain Louvet tells journalist and writer Virginie Mouzat about his relation to dance and the Palais Garnier. He talks about the French style in classical ballet, his admiration for the Russian dancer and choreographer Rudolf Nureyev, and life after ballet.

She is one of the most brilliant opera singers of her generation. She mastered the Bel Canto before being dubbed a diva after she sang Rossini. In a new episode of the 3.55 podcast CHANEL at the Opera, the South-African opera singer Pretty Yende talks with French journalist and writer Virginie Mouzat. She tells the challenges of singing La Traviata for the first time in Simon Stone’s adaptation, what it means to be a black opera singer today, and the unfailing support of her #prettyarmy on social media.

Depuis qu’il a intégré le Corps de ballet de l’Opéra national de Paris, il ne lui a fallu que huit ans pour accéder au grade suprême pour les danseurs français. Dans un nouvel épisode du podcast 3.55 CHANEL à l’Opéra, le danseur étoile Germain Louvet discute avec la journaliste et écrivaine Virginie Mouzat de son rapport à la danse et au Palais Garnier. Il parle du style français dans le ballet classique, de son admiration pour le danseur et chorégraphe russe Rudolf Noureev et de la vie après la danse.

In this first episode of the 3.55 podcast CHANEL at the Opera, French writer and journalist Virginie Mouzat talks to Japanese photographer, architect and stage designer Hiroshi Sugimoto about the concept of creativity. How does an artist evolve from photography to directing a ballet? On the occasion of his first ballet, he tells about his artistic career, his experience in No theatre, the impact of minimalism in his work and the necessity of having lived in order to become an artist.

Dans un nouvel épisode de 3.55 CHANEL à l’Opéra, la danseuse étoile Léonore Baulac raconte à la journaliste et écrivaine Virginie Mouzat son parcours pour se hisser au sommet du ballet classique. Elle parle de son rapport au chorégraphe américain William Forsythe et de son goût pour la transmission.