Charlestonians got their first taste of Hawaiian culture in December 1901, when a band of Pacific Islanders represented the newly-acquired territory at the South Carolina Inter-State and West Indian Exposition. Local audiences were entranced by their mellifluous songs and the rhythmic gestures of scantily-clad hula dancers swaying to curious sounds produced by strumming ukeleles and guitars played in a most unconventional manner. After performing for segregated audiences—Black and White—in the Palmetto City, the roving Hawaiians trekked inland to impart a lasting influence on the vernacular music of the American South.

The site known as Union Pier has been a transportation crossroads for centuries past and potentially continuing well into the future. Now slated for redevelopment, the seventy-acre industrial complex on the Cooper River waterfront includes the vestiges of historic trails used by earlier generations to facilitate access between land and water via streets, alleys, ferries, streetcars, and freight trains. On the next episode of Charleston Time Machine, we’ll review the accretion and deletion of various pathways and consider their cumulative role in shaping the future landscape.

Frolicking in the ocean surf is today a familiar activity along South Carolina beaches, but recreational swimming was a novelty in centuries past. “Surf bathing” first achieved local popularity on Sullivan’s Island in the early 1800s, when the proprietors of oceanfront resorts began providing amenities like “bathing machines” to encourage shy swimmers. While the dearth of appropriate swimwear rendered skinny dipping a constant complaint, a rising tide of ocean tourism during the nineteenth century drew legions of Lowcountry residents and visitors to the island’s beautiful front beach.

Have you ever wondered how South Carolinians paid for goods and services before the advent of the U.S. dollar? The pound sterling formed the basis of their accounts until the 1790s, but the economic realities of frontier life obliged early Carolinians to embrace monetary tools and strategies that deviated from British traditions. For more than a century, inhabitants of the Palmetto State used foreign coins, paper bills, promissory notes, and sophisticated credit schemes that fueled upward mobility and set the stage for the financial systems we use today.

Phebe Fletcher was an intriguing woman of eighteenth-century Charleston whose unconventional lifestyle earned both derision and respect from her neighbors. Born to a respectable family of unknown origin, she was allegedly “seduced” from the bounds of traditional feminine “virtue” and obliged to associate with “vicious” persons, Black and White, to forge an independent career in a patriarchal society. She acquired a colorful reputation as a woman of dubious morals, but Charlestonians long remembered and praised the benevolent care she rendered to ailing soldiers during the American Revolution.

Thomas Francis Meagher (1823–1867) was a famous Irish patriot of the mid-nineteenth century whose agitation for independence from Britain led to his exile from the Emerald Isle. After settling in New York in 1852, Meagher visited Charleston several times to deliver public lectures on history and politics. South Carolina’s Irish immigrants embraced him as a national hero during the 1850s, but denounced Meagher in 1861 when he fought against the rebellious Confederate States. On the next episode of Charleston Time Machine, we’ll explore the context and legacy of Meagher’s brief connection to the Palmetto City.

The Shaw Community Center at 22 Mary Street in downtown Charleston embodies an important historical legacy: It arose shortly after the Civil War as a memorial to Robert Gould Shaw and members of the 54th Massachusetts Regiment who died in battle at Morris Island. Their comrades pooled money to establish in 1868 a school for African-American children that continued until 1937, when it evolved into the present multipurpose youth hub. Long managed by the City of Charleston, the Shaw Center perpetuates a noble commitment to the advancement of civil rights.

The Charleston County Public Library opened its doors to the public in 1931, but welcomed visitors unequally and conditionally until the early 1960s. Like nearly every other institution existing in the American South during that era, the Charleston Free Library, as it was then known, maintained separate facilities and unequal collections for two classes of customers identified as either Black or white. This long-standing practice continued until November 1960, when the opening of a new, racially-integrated library on King Street shocked some members of the community and signaled the twilight of a prejudicial tradition.

The recently renovated John L. Dart Library at 1067 King Street bears the name of a pioneering figure in the history of education in Charleston. Born free during the last years of slavery, Dart benefited from the first flowering of African-American schools after the Civil War and attained advanced degrees. He returned to his home town in 1886 as a Baptist minister and devoted the rest of his life to the creation of free schools providing practical, vocational training to African-American children. In the next episode of Charleston Time Machine, we’ll trace the mercurial progress of Rev. Dart’s educational campaign and the enduring legacy of his work.

Nearly a century before Charleston’s municipal headquarters moved to the northeast corner of Meeting and Broad Streets, residents gathered daily at this site to procure meat and other foodstuffs. The city abandoned this so-called “Beef Market” in 1789, following the construction of a new facility in Market Street, and the old market was briefly used for artillery storage. Events associated with the Haitian Revolution triggered its reactivation in 1795, until fire consumed the old Beef Market in 1796 and cleared the site for the present bank building that became City Hall.