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KYUK is the oldest Native American-owned radio station in the country. It broadcasts morning newscasts in both English and Yup'ik, the local Indigenous language, to 56 remote communities in Southwest Alaska. When there’s a weather emergency or even just a local basketball game, these communities turn to KYUK for information. But soon, that could all change.
Late last week, Congress passed a rescissions bill that claws back the money set aside for public broadcasting for the next two years. For KYUK, this money represents close to 70 percent of its entire budget. Without it, the station could go dark.
Host Elahe Izadi speaks with KYUK’s interim general manager, Kristin Hall, about what the loss of public media funding could mean for her community. Later, Elahe speaks with media reporter Scott Nover about how after decades of talking about defunding public media, Republicans finally made it happen.
Today’s episode was produced by Tadeo Ruiz Sandoval. It was edited by Maggie Penman and mixed by Sam Bair.
Subscribe to The Washington Post here.
By The Washington Post4.2
51935,193 ratings
KYUK is the oldest Native American-owned radio station in the country. It broadcasts morning newscasts in both English and Yup'ik, the local Indigenous language, to 56 remote communities in Southwest Alaska. When there’s a weather emergency or even just a local basketball game, these communities turn to KYUK for information. But soon, that could all change.
Late last week, Congress passed a rescissions bill that claws back the money set aside for public broadcasting for the next two years. For KYUK, this money represents close to 70 percent of its entire budget. Without it, the station could go dark.
Host Elahe Izadi speaks with KYUK’s interim general manager, Kristin Hall, about what the loss of public media funding could mean for her community. Later, Elahe speaks with media reporter Scott Nover about how after decades of talking about defunding public media, Republicans finally made it happen.
Today’s episode was produced by Tadeo Ruiz Sandoval. It was edited by Maggie Penman and mixed by Sam Bair.
Subscribe to The Washington Post here.

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