What took four years, required a personal crisis of confidence, and started as a riff about “coronavirus”? The Butter Miracle: The Complete Sweets, apparently. Kyle Meredith sits down with Adam Duritz—who’s somehow still underrating “Einstein on the Beach”—to talk about finally releasing Butter Miracle, rewriting half the songs from scratch, and confronting the weird pressure of accidentally writing a perfect five-song rock record. Duritz opens up about unfinished Counting Crows songs (“Marjorie,” “Shallow Days”), finding personal connection in characters like Bobby, Elizabeth, and Maria, and how “Boxcars” began with a glam-Zeppelin riff screamed around the house mid-lockdown. He also shares why the band never put out a B-sides compilation (spoiler: tape machines and poor planning) why This Desert Life might secretly be everyone’s favorite, and when we could see more of their earlier albums on vinyl.

Listen to Adam Duritz chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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