Wes Gordon, the Creative Director of Carolina Herrera, talks to Suzy about dressing Kamala Harris in a white suit on November 7th 2020, the historic evening she became the first female Vice-President Elect of the United States of America.

The choice of designer and the fresh, bright white pants suit was a powerful symbol of the new attitude of President elect Joe Biden.

As the Carolina Herrera company celebrates 40 years in business, Wes Gordon reveals to Suzy what it’s like dressing actors from a young Meghan Markle to Katy Perry and Gwyneth Paltrow and how he’s dedicated himself to the Herrera legacy, supported by Puig, the Spanish fragrance and fashion group.

The 33 year old designer discusses his passion for flowers, nature and lively sense of colour, contrasts within the sophistication of the New York studio.

Produced by Natasha Cowan @tashonfash

Edited by Tim Thornton @timwthornton

Music by @joergzuber

Graphics by Paul Wallis

To find Suzy's articles visit https://www.vogue.co.uk/fashion/suzy-menkes 

...find Suzy on Instagram @suzymenkes and Twitter @thesuzymenkes

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This week I am joined by by Andreas Kronthaler the designer, otherwise known as Vivienne Westwood’s husband.

Andreas talks to me about transforming the story of sex, fun and punk into a thoughtful and successful brand. It now has a goal of activism, sustainability and a mission to persuade people to shop wisely and consciously.

What did Andreas bring from his Austrian roots? Was he inspired to study jewellery from the influence of his blacksmith father? And how did he move from jewellery to fashion?

Andreas - usually leaving the talking to Vivienne - reveals unexpected details of the Westwood tale we thought we knew so well.

Produced by Natasha Cowan @tashonfash

Edited by Tim Thornton @timwthornton

Music by @joergzuber

Graphics by Paul Wallis

To find Suzy's articles visit https://www.vogue.co.uk/fashion/suzy-menkes 

...find Suzy on Instagram @suzymenkes and Twitter @thesuzymenkes

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

For episode eleven Suzy speaks to Iris van Herpen and Game of Thrones actress Carice van Houten as they collaborate for a digital presentation for this season's Autumn/Winter 2020-21 Haute Couture Week. The fashion industry has had to rethink how to present the collections, and each house has turned to submitting digital presentations instead of the traditional live-show format.

One such designer on the couture schedule I have been lucky enough to catch up with is Iris van Herpen. Here she talks to me about the short film she has submitted to the Fédération de la Haute Couture and how she called upon her fellow Dutch friend and Game of Thrones actress, Carice van Houten, as muse, inspiration and collaborator on her fashion film, “Transmotion”.

Van Houten plays a far more gentle character in Iris’s fashion performance than she does on GOT. “Iris’s work feels like it lifts you up and completes something in you, like a second skin and another dimension,” Carice says.

In our interview, Iris describes the “Transmotion” couture dress that Carice wears as “a diaphanous bloom of silver white organza, and translucent layers within an undulating form, tracing the fluid outline of the creation”. Made by Iris under lockdown, its name refers to “visionary or creative perceptions of the seasons and the visual scenes of motion in art and literature”.

“I believe fashion has a big influence on who we are today and really reflects where we are heading, inspiring us to recreate ourselves and to re-see our identities and even how we perceive ourselves,” Iris says.

“The red hair was 50 per cent of my character,” Carice says of her GOT role as Melisandre, the Red Priestess. “I felt so empowered, and in fact the dress – which is the opposite of Iris’s dresses – was really restricting, but it definitely helped me to build that character.”

Iris’ couture film, directed by Ryan McDaniels, references Dutch graphic art and at the same time mirrors the Iris spirit, which mixes high modernity with history. Iris has called upon her Dutch heritage not only by using Carice – but also by referencing Dutch artist Escher as an influence.

Iris began showing in Paris in 2007 and I watched her quickly move from Ready-to-Wear to Couture – which she unofficially calls “tech-couture” – where in her hands delicate embroideries and traditional techniques are “replaced by code”. The designer is even known for stating, “Tech just can’t keep up with me!”

Her extraordinary skill is in melding the soft and tough elements of the natural world with the forces of technology and innovation, merging art and science with craftsmanship and technology.

Using a diaphanous bloom of white silk organza, like fronds frozen in time, and delicate crystalline filaments that sprout from the centre, the “Transmotion” dress is a masterpiece of couture. Combining the futuristic with the naturalistic, “branches” of satin are laser cut, but hand stitched, to form central roots like mycorrhizal networks.

With her knowledge of fashion, her understanding of science and her skill in melding the two different characters, Iris’s work links to creation, growth and regeneration. Add to that the woman-power expressed by Carice in Iris’ film and in Game of Thrones, there is plenty to discover in this story about the film, the dress, the star and how all are close to Iris’s heart.

Produced by Natasha Cowan @tashonfash
Edited by Tim Thornton.
Music by @joergzuber.
Graphics by Paul Wallis.
Production Assistance by Lauren Sweeting.
To find Suzy's articles visit https://www.vogue.co.uk/fashion/suzy-menkes 
...find Suzy on Instagram & Twitter @suzymenkesvogue

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