Curious Objects

Michael Diaz-Griffith treks to Colonial Williamsburg to talk with chief curator Ron Hurst about a new exhibition, "British Masterworks," in which objects like gilded chandeliers, a colossal Chippendale bookcase, and an armchair upholstered with a parrot and a basket of fruit—collected by curators in the early twentieth century to flesh out their conception of 1700s Williamsburg—tell very different stories today from the ones they were bought to support.

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The first American flag Peter Keim collected was a hand-sewn thirteen-star specimen that he found poking out of a paper bag at a farm sale. Happily for Keim, the flag turned out to be a hand-sewn beaut from 1862, worth $10,000. Keim now owns approximately four hundred American flags.

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Only a small number of people have the resources and wherewithal to collect Hepplewhite furniture or Paul Revere silver, but plenty collect baseball cards, including our guest this month: Randall, the voice behind the viral video The Crazy Nastyass Honey Badger.

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There’s a tried and true method for curating art exhibitions: paint walls, hang pictures, write labels, and Bob's your uncle. But what happens when a neuroscientist gets involved? This month, CO examines how researchers at the Peabody Essex Museum are analyzing the ways people look at art.

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A suite of furniture made for the storied Beekman family of New York has one extremely over-the-top feature: the pieces are upholstered with export-quality French tapestries, i.e., material that wasn’t good enough for the French to hold on to. One man's trash . . .

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Philip Hewat-Jaboor is chairman of Masterpiece London and owner of a fine alabaster and rosso antico marble vase. The vase has a fascinating transnational backstory, but, maybe more importantly, it's beautiful, a factor Philip says is “coming back into the equation” with regard to works of art.

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If you find an Old Master artwork in your attic, how can you be sure it isn’t fake? This month Ben and Michael consider the case of "Judith and Holofernes," a painting attributed to Caravaggio and estimated at $100–$150 million that sold to a private buyer on June 25.

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Scholar and curator Glenn Adamson reminds us how important it is to pay attention to the objects in our immediate proximity in this episode keyed to Art Carpenter’s Wishbone chair

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This month we focus on a quartet of curious objects at Freeman’s auction house: a marble-top pier table long believed to have belonged to General Washington’s aide-de-camp Tench Tilghman, a quirky painting of Noah’s Ark by foppish Lancaster polymath John Landis, and two stoneware wine bottles in the shape of Queen Victoria and Prince Albert.

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In collector Noah Wunsch's private life one rule guides his hand: “no matter what you're buying make sure you like it.“ In this episode, Ben takes the measure of Noah’s treasure, which ranges from a 60 BC Visigothic belt buckle to the zany artwork of Genieve Figgis.

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