
Sign up to save your podcasts
Or


With the 60th anniversary of the march from Selma to Montgomery approaching next year, Philip Howard wants to ensure that visitors to Alabama receive a more robust truth, one that goes beyond a paragraph written on a historical marker.
Howard conceived an ambitious goal to tell a cohesive, robust story about the Selma-to-Montgomery march. The march was mostly known for its beginnings, when officers beat and bloodied protesters walking over the Edmund Pettus Bridge. But few delved into the details that made the third attempt to cross the bridge successful, including the families and organizations that helped along the way.
There were four “campsites” where protesters stayed overnight while completing their 54-mile sojourn. Persuading the families who owned these campsites to publicly preserve their history would be a journey of its own.
This story is part of our Deep Reads series, which showcases narrative journalism at The Washington Post. It was written and read by Robert Samuels. Audio production and original music composition by Bishop Sand.
By The Washington Post4.2
51825,182 ratings
With the 60th anniversary of the march from Selma to Montgomery approaching next year, Philip Howard wants to ensure that visitors to Alabama receive a more robust truth, one that goes beyond a paragraph written on a historical marker.
Howard conceived an ambitious goal to tell a cohesive, robust story about the Selma-to-Montgomery march. The march was mostly known for its beginnings, when officers beat and bloodied protesters walking over the Edmund Pettus Bridge. But few delved into the details that made the third attempt to cross the bridge successful, including the families and organizations that helped along the way.
There were four “campsites” where protesters stayed overnight while completing their 54-mile sojourn. Persuading the families who owned these campsites to publicly preserve their history would be a journey of its own.
This story is part of our Deep Reads series, which showcases narrative journalism at The Washington Post. It was written and read by Robert Samuels. Audio production and original music composition by Bishop Sand.

6,782 Listeners

25,785 Listeners

4,052 Listeners

3,651 Listeners

1,383 Listeners

4,442 Listeners

112,031 Listeners

56,537 Listeners

2,476 Listeners

2,271 Listeners

107 Listeners

10,209 Listeners

7,227 Listeners

2,405 Listeners

16,364 Listeners

2,775 Listeners

6,400 Listeners

2,371 Listeners

15,852 Listeners

232 Listeners

295 Listeners

1,238 Listeners

994 Listeners

403 Listeners

344 Listeners

151 Listeners

57 Listeners

32 Listeners

619 Listeners