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Driftpile Cree poet Billy-Ray Belcourt's favourite place in the world is his mother's house. It's marked with a horrible, dark past — built for nuns who ran the local residential school in Northern Alberta. Belcourt grew up in the shadow of that school. But his mom drenched this home with love so powerful it surpassed the haunted context. Belcourt's mother's house provokes questions reconciliation couldn't quite answer: what does it mean to live inside history and how do you imagine your way out? In this lecture for Vancouver Island University’s Indigenous Speaker’s Series, he makes the case for literature as a more honest reckoning.
By CBC4.6
282282 ratings
Driftpile Cree poet Billy-Ray Belcourt's favourite place in the world is his mother's house. It's marked with a horrible, dark past — built for nuns who ran the local residential school in Northern Alberta. Belcourt grew up in the shadow of that school. But his mom drenched this home with love so powerful it surpassed the haunted context. Belcourt's mother's house provokes questions reconciliation couldn't quite answer: what does it mean to live inside history and how do you imagine your way out? In this lecture for Vancouver Island University’s Indigenous Speaker’s Series, he makes the case for literature as a more honest reckoning.

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