What does it mean to exist professionally as an artist? Does being business minded compromise an artist’s creativity? If it’s a frank discussion on the topic you’re after, Ramesh Mario Nithiyendran is the artist to have it with. 

Nithiyendran is a Sri Lankan born contemporary artist whose work is often described as bold, hyperbolic, exaggerated and expressive. He’s achieved huge success in his decade-long career — his artwork has been presented in museums, festivals and the public domain, including significant presentations at the National Gallery of Australia, The Art Gallery of New South Wales, The Dhaka Art Summit and Art Basel Hong Kong.

In 2019, he received a Sidney Myer Creative Fellowship recognising his outstanding talent and exceptional professional courage, and his 368-page monograph, titled RAMESH, was published by Thames & Hudson in 2022. Heavily influenced by his upbringing as a Tamil migrant in Sydney’s west, Nithiyendran was an incredibly high achiever academically, but it wasn’t until he arrived at the University of New South Wales to begin his BA in Fine Arts that he felt he existed outside a minority. Listen in as Vince and Ramesh discuss why no one in art wants to talk about business, how growing up as a migrant in Australia shaped him and the importance of respecting other people’s work and input.

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