One of the most plum jobs in entertainment historically has been that of the creative exec. But now, with data informing programming choices more than ever, and advertisers hungry for user information, Elaine Low examines how the job market is revealing those shifted priorities through the lens of the two most storied legacy studios, Disney and Warner Bros. Discovery (while sharing a peek at Amazon Studios). Meanwhile, Sean McNulty lays out the current streaming advertising landscape, and Richard Rushfield opines on the lingering puzzles from the Oscars.
Transcript here. For more entertainment news, subscribe to The Ankler here.
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Disney, WBD and Hollywood's Jobs Shift

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At the Cannes Film Festival, the active buyers’ market and (largely) applauded indies had everyone in the market, from haute couture hangers-on to cinema’s swells, feeling festive says Claire Atkinson. But back in L.A., an early June gloom has descended, with Sean McNulty, Elaine Low and Richard Rushfield talking movies’ early signs of a summer bummer — and a release calendar that looks like it’s on Ozempic.
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Cannes vs. Box Office: Film's Troubling Split Personality

Hollywood descended upon New York City this week for the Upfronts, the traditional TV showcase, to promote almost everything but as sports, live events and movies dominated the stage and star power. The crew breaks it down while Richard Rushfield and Sean McNulty dive into Hollywood’s new, possibly misguided belief that sports will save Hollywood.
For more entertainment news, subscribe to The Ankler here. Transcript here.
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Scripted TV SOS!

Earnings season has been a rough go as Disney, Paramount, Fox and Warner Bros. Discovery deliver their Q1 results. And if you thought “Sports Hulu” was a surprise, just wait for the new bundle of Disney+, Hulu and . . . Max?! Sean McNulty dives into Disney and Warners tepid earnings, their new streaming bundle, and the urgency in joining forces. Plus: Do you have to be from an Ivy League school to rise to the top of Hollywood? Maybe the opposite, says Richard Rushfield, who breaks down alma maters of the industry’s bold-faced names.
For more entertainment news, subscribe to The Ankler here. Transcript here.
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RSVP to the upcoming event at the link below:
May 13th – The Ankler x Backstage Screening Series: Expats
May 14th – The President & The Podium
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WBD, Disney and the New Frenemy Era

What to do in this moribund market? Elaine Low outlines TV writers’ post-strike challenges — including the rickety staffing ladder — while our new Dealmakers columnist Ashley Cullins dives into the deterioration of the overall deal — and her news that Amazon and Apple are presenting new terms to industry agents and lawyers that sound a lot like . . . backends! (Remember those?) Plus: Peter Kiefer assesses agency efforts behind the celebpreneur boom, while the crew breaks down Paramount’s ongoing drama and previews summer box office.
For more entertainment news, subscribe to The Ankler here. Transcript here.
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Link here to live stream the Milken Institute: Journalism Today: New Voices, New Models, New Methods where Janice Min (Ankler Media, CEO) will be speaking on May 7th at 4p PST.
RSVP to the upcoming events at the links below:
May 10th (Waitlist Only) – Ed Zwick and Janice Min: In Conversation
May 13th – The Ankler x Backstage Screening Series: Expats
May 14th – The President & The Podium
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TV Deal Turmoil 2024

Reacher, The Terminal List and Jack Ryan may not win Emmys, but Dad TV has become a juggernaut for a TV business desperately needing one. Entertainment Strategy Guy joins Sean McNulty to break down the truth behind Prime Video’s Dad TV crown, streaming’s corresponding Mom TV — and what the abundance of both mean for prestige TV. Also: the crew on the state of Peacock after Comcast’s earnings call; what five TV agents told Elaine Low about the state of the business; and Richard Rushfield’s marketing stunts that worked.
﻿For more entertainment news, subscribe to The Ankler here.
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Disney, WBD and Hollywood's Jobs Shift

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