STAGES with Peter Eyers

‘Don’t Dream It, Be It’ - Performer, Choreographer, Creative; Nathan M. Wright


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With nearly 30 years’ experience and nominations for his work as both a performer and choreographer, Nathan is a driving force in the performance industry. After 14 successful years as a performer, Nathan began his transition into choreography and direction in 2006. He has since made a name for himself as a highly acclaimed and sought-after Artistic Director and Choreographer with an impressive portfolio that highlights the scope of his skill-set.
Nathan has a knack for breathing new energy into classic productions while maintaining a respectful nod to the timeless choreography that audiences love. His passion for storytelling has led him to large-scale productions where he has embraced the opportunity to create something powerful and impactful on an international platform. His talent for finding the tempo that best fits the style of the production makes him an asset to any project.
Showcasing experience in theatre, large-scale events, film and television, a few of his career highpoints include Head of Choreography and Staging Director for the Gold Coast Commonwealth Games, Artistic Director for both Opening and Closing Ceremonies of the 4th Islamic Solidarity Games, Director of Mass Choreography for the 2014 Winter Olympics, The 40th Anniversary of Richard O’Brien’s Rocky Horror Show, High Society at the prestigious Old Vic in London’s West End, and choreographing for the BBC’s Strictly Come Dancing.
They are vast, varied and impressive credits in a career that continues to thrill audiences and performers alike - indicating that there is so much more stellar creation and triumphant accolade ahead for Nathan M. Wright.
The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

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STAGES with Peter EyersBy Peter Eyers

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