Dialogue is fun to write and fun to read.  Here is a strong technique to make our dialogue fascinating for readers.  Also, novel writing's rule of exceptions.

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We'll talk in this episode about another big mistake, one that will cause agents and editors to put aside our manuscripts after four or five pages.  Also, some dialogue is better than other dialogue, and so here are tips on writing fascinating dialogue.

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Dialogue that does only one thing might be inert.  Talk between our characters should do double duty, and here are techniques about how to write double-duty dialogue.   Also, how to avoid the as-you-know syndrome in dialogue.

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What's the one most important writing technique for novelists?  If we get it wrong it sinks our publishing chances.  We'll talk about how to get it right.   Also, how to add the charming or funny or odd trait to our character that will make him or her stick in the reader's mind.

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Can we know in advance if we have the talent to write a novel, before we spend the time and effort to write it?  Here are some thoughts.  Also, we can get better at close observing and phrase- making, and some techniques are discussed.

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Here are techniques for creating fictional villains readers will love to loathe and fear.  We writers can make readers shudder when our scoundrels  appear.

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Readers want to fall in love with our characters.  Here are some techniques about how to create characters readers will be passionate about, and so will dislike seeing the novel end.  Also, some advice on handling minor characters.

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Some scenes are too much, and they may ruin a novel for readers.  What are they?  Plus, here are some good techniques for describing our characters, having our descriptions do double duty.  And don't forget the quirks.

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How can we know when we've prepared enough?  Is it time to start chapter 1?  Here's a list of eight things we probably should have figured out before we start our first chapter.  Also, how to show rather than tell about emotions and reactions.

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Some elements of a novel are more interesting than others, and some are less interesting.  Writers should give readers more of the involving and fascinating aspects, and here is a ranked list of those elements.  Also, a look at how three great writers describe their characters, and what we can learn from them.

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