How can an injury be good for us writers?  It was for Roald Dahl.  And here are Strunk and White's twenty-one rules of writing.  Also, Stephen King on descriptions.  And several famous setting descriptions, settings so good they are magical.  Plus, Toni Morrison reveals how she works.

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A strong way to make a character likeable, and to have the reader root for her, is to have the character experience "otherness."  She's out of place.  She doesn't fit.  Here are techniques on how to do so.  Also, how F. Scott Fitzgerald worked.  And, no whining.

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Contrast is among the strongest tools we writers can use.  It's magic.  Here is a discussion of how and where to use contrast.  Also, Henry Miller's rules of writing and how John Grisham works.

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We can show (as opposed to tell) about a character's personality by describing the character's face and body, so that our physical description does double duty.  Jonathan Franzen's ten rules of writing.  And techniques to add atmosphere to our scenes.

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In our novel should we leave plot questions unanswered so we have compelling questions for a sequel?   Here are thoughts on how we can approach it.  Also, Hilary Mantel's ten rules of writing, how Anne Rice worked, and techniques for writing in the active voice.

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Why do readers put down a novel for good before they reach the last page?  Here is a reason, maybe the main reason, and how we writers can avoid it.  Also, examples of failed showing, as opposed to telling.  And Margaret Atwood's rules of writing.

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Here is a list of the top ten writing techniques in order of their importance, as best I can figure them out.  Also, good comments from a book coach.  And Zadie Smith's rules of writing.

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Here are Kurt Vonnegut's eight rules of writing.  Also, why reading an Andy Weir novel is such a good writing lesson.  And; character descriptions should do double duty.  Here is how, with examples from legendary writers.

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Here is a scene with a strong plot point important to our story.  It should be powerful but it isn't because of technical mistakes in the writing.  Can we spot the mistakes?  Also, George Orwell's six rules of writing.  And a review of how and why to avoid filters.

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What if we get the sense that our story is a trope, that the plot is a cliche, that it's been done before?  Here are thoughts on cliched stories.  Also, Christopher Vogler's twelve steps for plotting our story.

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