Dillie Keane is one-third of iconic Cabaret trio Fascinating Aida. She is presently in Australia for the Adelaide Cabaret Festival, where alongside her partners in song, Liza Pulman and Adèle Anderson, Fascinating Aida will present a 40th anniversary show.

Since their first performance together in 1983, the trio have racked-up millions of internet followers, performed in the world’s most prestigious venues and have been showered with awards and plaudits galore.

Proving they’re still in their glorious prime, these mistresses of their craft ring in this four-decade milestone with their trademark diamond-sharp satire, lyrical wit and belligerent sass. 

The bare bones of Dillie’s life are these. Born Portsmouth 1952. Father a GP. Three much older, very nice siblings who have done nothing but grace the name of Keane and distinguish themselves in every way. Family despaired of Dillie ever conforming. 

Educated at Portsmouth High School (very happy) and then at successive Convents of the Sacred Heart (first Hove, where she was miserable but learned remedial curtseying and sang all the time, then Woldingham where she was utterly and completely miserable and still sang all the time). “She’ll come to no good, that girl!” opined one of the nuns as her parents took her away after she was expelled. 

Safely at university, she drank and shagged and partied like a girl released from a convent and became a leading light of the drama society and ended her first year being elected Miss Elegance, hahaha! After three years of this divinely crazed existence, her mortal frame nearly gave out. A spell in hospital exposed her complete unfitness for the life of a musicologist. As her parents took her away – she was too ill to take her Part 2 and couldn’t face doing 5 years of a 4 year degree – her Professor suggested that a career in Stage Management might suit. 

Finally, she took control of her life. A spell as secretary to the Deputy MD of a leading advertising firm in London gave her financial independence, and she secretly auditioned for LAMDA. The day she got her acceptance letter was the best day of her life. Having flunked out of university, her parents were reluctant to fork out for 3 more years of further education, so she wrote to anyone she could think of who might help. Eventually, the fabled Jim Slater of Slater Walker stepped in with a scholarship and paid her tuition fees. Her defeated parents agreed to give her £100 per term towards living costs, and she was able to accept her place on the course. 

Those three years were a thrilling ride. LAMDA was everything she hoped for and more, though trying to keep body and soul together was wonderfully crazy. She had a stall in the Portobello Road every Saturday, where she and a friend sold handmade shopping bags, aprons and second-hand clothes they’d collected from friends and strangers. She temped in the evenings and throughout the holidays, became an artist’s model, did bar work, biked everywhere in London and hitched everywhere else. She also played piano in various hotels, nightclubs and restaurants, and looking back she thinks she must have cut an odd figure with her homemade clothes and Cole Porter songs. Two summer months in Sweden playing piano in a Stockholm nightclub hardened her for the life to come. 

Acting jobs followed. Then the songs started popping out. And with the acting jobs, new friends who also sang and were willing to sing her songs. And with all that came the gigs and the birth of Fascinating Aïda. 

The Adelaide Festival Centre presents FASCINATING AÏDA - THE 40th ANNIVERSARY SHOW! Dunstan Playhouse, Adelaide Festival Centre, Friday June 7th, Saturday June 8th and Sunday June 9th.

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