Lauren’s guest is editor Isabella Burley, founder of Climax Books. They discuss Valentino Garavani, whose passing was announced as they were recording the episode. They also consider men’s fashion week in Milan, the legacy of stylist Melanie Ward, the most anticipated shows of this Couture season, and, of course, what exactly Isabella is up to with Climax, where books are “exciting.”

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New York Times reporters Jessica Testa and Michael Grynbaum join Lauren for a very special episode about the current state of legacy publisher Condé Nast. (Remember, Michael wrote a book about Condé Nast. called The Empire of the Elite.) They discuss Will Welch’s exit from GQ (and potential replacements), if Mark Guiducci is doing a good job at Vanity Fair, and whether every Condé Nast editor is contractually obligated to thank H.R. lord Stan Duncan in their departure (or arrival).

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Lauren’s guest is Who What Wear co-founder, Future Publishing S.V.P., and Substacker Hillary Kerr. They discuss the best and worst of the Golden Globes red carpet, and what the lineup portends about the rest of the awards season, and the fashion industry at large. They also get into the Guccissance and the future of Saks Global. Mentioned in this episode: Dior, Chanel, Rose Byrne, Matthieu Blazy, Jessie Buckley, Valentino, Colman Domingo, Teyana Taylor, Schiaparelli, Jonathan Anderson, Kate Young, Jamie Mizrahi, Mia Goth, Jennifer Lawrence, Ryan Hastings, Justine Lupe, Rebecca Ramsey, and plenty of other fashion people.

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Lauren is joined by financial whiz Bill Cohan, author of Puck’s Dry Powder, to discuss the situation at Saks Global, the department store group that is expected to file for Chapter 11 bankruptcy imminently. They discuss how the owner of Saks Fifth Avenue, Neiman Marcus, and Bergdorf Goodman got here, and where the business is going in 2026, considering the implications for individual brands and the fashion industry at large.

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Lauren is joined by return guest and Vanity Fair senior staff writer Marisa Meltzer, who is also the author of Soft Power on Substack and the fall bestseller It Girl: The Life and Legacy of Jane Birkin. They discuss just about everything in the news: Rama Duwaji, why Bernard Arnault should buy Bergdorf Goodman, the red carpets at the Critics Choice Awards and the Palm Springs International Film Festival, the return of fur, the fashion in ‘Marty Supreme’ and ‘Sentimental Value,’ in-store Dior, and plenty more.

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Lauren’s guest is Stacey Battat, costume designer behind a ton of Sofia Coppola movies, including Somewhere, The Beguiled, Priscilla, and On the Rocks. (She’s also worked on several television series, including Becoming a God in Central Florida and The Better Sister.) They discuss what being a costume designer actually entails, the differences between film and TV, Cartier watches, Stacey’s life as a shopgirl at Marc Jacobs on Mercer in the early 2000s, curly hair, and plenty more.

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Lauren is joined by listener favorites Jacob Gallagher (The New York Times) and Becky Malinsky (5 Things You Should Buy) for a supersized episode covering the biggest stories of 2025, from all the designer changes (Dior, Chanel, Gucci, Celine and more) to the trends (resale, potato shoes), to the shakeups (Versace) and goodbyes (Giorgio Armani).

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Lauren is joined by Marc Bridge, C.E.O. of At Present and heir to the Ben Bridge jewelry empire, which is owned by Warren Buffet’s Berkshire Hathaway. We discuss the way the business of fine jewelry has changed, and the opportunities that lie ahead.

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Lauren is joined today by red carpet savant Jamie Mizrahi, who styles everyone from Adele and Mia Goth to Pedro Pascal and Jeremy Allen White. We discuss her recent string of gigs, the sartorial allure of Zoë Kravitz and Harry Styles’s coupledom, the art of wearing your mom’s vintage dress (à la Apple Martin, Kaia Gerber, and Lily-Rose Depp), the fashion in everyone’s favorite Christmas movie, Eyes Wide Shut and the 1990s style of Nicole Kidman and Cate Blanchett.

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Lauren’s guest is Sali Cristeson, founder and C.E.O. of Argent, which sells suits and blazers and other things you wear to an office—but also other places, too. They discuss the need for workwear, even in These Times, and what it’s like to launch and develop a fashion brand when you have never worked in the fashion industry. Tariffs and snobs are also addressed.

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