We discuss the success of "There's Still Tomorrow" from writer-director Paola Cortellesi, as her darkly comic début becomes a box office phenomenon in Italy. Meanwhile, "The Sweet East" sees cinematographer Sean Price Williams direct a strange journey through American subcultures. Critic Lisa Nesselson also tells us why Stéphane Brizé’s new romance, starring Guillaume Canet and Alba Rohrwacher, is too slow for her taste. Plus, modern-day film fans take a trip back to 1895 thanks to the ingenuity of the Lumière brothers in Lyon.