Chris Smith and Sarah Price's Sundance-winning first documentary feature, 'American Movie,' remains an iconic and thoroughly modern film to revisit or to experience for the first time.

Like all truly great documentaries, it's ostensibly about a finite thing: hardscrabble, complicated Midwestern working-class 30-year-old lives at home, delivers newspapers, works at a local cemetery, and has big dreams of writing, producing, directing, and acting in films... but it's also about so much more: friendship, alcoholism, Midwestern blue-collar life, filmmaking, and nothing less than the pursuit of the American Dream.

Watch Mark Borchardt's film Coven here.

Read about the origins of the film.

Where Are They Now (from a while ago).

Mike Schank's Obit & Celebrity Remembrances

The sequel to Denis Villeneuve's 'Sicaro' is an impressive off-ramp from the first film's focus on drug cartels trafficking narcotics and stacking bodies.

Italian director Stefano Sollima (Gomorra, ZeroZeroZero) focuses more intently on Josh Brolin's Matt Graver and Benicio Del Toro's Alejandro Gillick characters, as they face a (final?) confrontation with the outer limit of their own moral codes.

For me, Day of the Soldado is the rare sequel that gets better the more I watch it, and that doean't merely rehash the best-known sequences from the original (although it does that, too) but instead deepens our understanding of two key characters and tantalizingly points in the direction of a much-discussed but yet-to-be-confirmed third film in the series.

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Denis Villeneuve's film 'Sicario' remains a vital and prescient glimpse into extra-judicial Governmental activities and the blurring of lines on both sides of the drug war, all brilliantly rendered by top-notch cinematography from Roger Deakins and a host of career-best performances from actors like Emily Blunt, James Brolin, Daniel Kaluuya, and, especially, Benicio Del Toro.

Harrowing, procedural, understated, and complicated, the film unfolds with confidence in the journey it takes viewers on, with a refreshing lack of hand-holding and over-explanation.

An appreciation of the life and musical legacy of the peerless and uniquely self-deprecating Grateful Dead co-founder and éminence grise.

For my final episode of 2025, it's 'Nobody's Fool' one of my favorite films, and a true comfort watch in keeping with the theme of last week's episode. Sweet, subtle, well-cast and directed, and slyly much more than it seems, it's both a paen to small-town life and a surprisingly unblinking look at the cost children pay for their parent's mistakes...and for the ones they make all on their own.

The news is unrelenting. Shootings in Bondi Beach. Terror in the classrooms at Brown University. The terrible deaths of Rob Reiner and his wife in LA. The news is shocking and we become numb to the rippling effects but our minds and bodies internalize the fear, anxiety, and worry.

As I am between episodes at the moment, I thought it might be different to try and episode highlighting the calming music, tv shows and movies I find myself turning to in times of trouble.

Please share your personal favorites with me, as I'd like to compile a playlist of sorts to share with everyone and to use your emails in a newsletter to follow.

Email the pod at [email protected].

I hope this episode gives you some calming vibes and thanks as ever for listening!

Spotify playlist of the music referenced in this episode.

From a chance viewing of Saul Bass' iconic 'Psycho' titles on TCM sprung this exploration of the straightforward, human experience of watching 'Psycho' with an eye and ear towards how audience expectations were stoked and then subverted by Hitchcock.

From the casting of Janet Leigh to the surprise departure of her character not even halfway through the film, the film toys with audience expectations and loyalties, and makes them complicit in the voyeurism and violence and judgement that unfolds.

Hitchcock's decision to attempt a relatively low-budget thriller of the sort directors like Henri-George Clouzot (Diabolique) were having success with resulted unexpectedly in his defining film, a film that changed film language and construction and that influenced every director of note subsequent to the film's 1960 release.

From the legendary shower sequence to no-less-stunning dialogue sequences, the film is so much more than it's origins. It still stands the test of time today, and will forever be a part of Hitchcock's enduring legacy.

This final episode about Milos Forman's brilliant and deeper-than-expected masterpiece adaptation of Ken Kesey's very 1960's novel explores the subtle emotional power of the film's editing and how it establishes certain critical scenes.

Praise for the depth and intelligence of Nicholson's acting while also appreciating Brad Dourif and the late Will Sampson's performance as the Chief are also indulged.

Part 2 of my deep dive into Milos Forman's incredible 1975 film 'One Flew Over The Cuckoo's Nest'.

In Part 2 I get into a handful of scenes from the first third of the film: the introduction of Nurse Ratched, the first time we meet McMurphy, the sit-down between McMurphy and Dr. Spivey, and the first few scenes on the ward with the fellas and the nurses.

Leaving behind one iconic adaptation of a popular novel in 'The Exorcist' and picking up another with this introductory episode about 'One Flew Over The Cuckoo's Nest', Milos Forman and Bo Goldman's film based on Ken Kesey's counter-culture classic novel.

In this episode, I cover some of the film's journey from page to screen and from father to son(s). Casting, pre-production delays, and some context for the film in 1975.

'One Flew Over The Cuckoo's Nest' is one of only three films to ever win "The Big 5" Academy Awards: Best Actor, Best Actress, Best Picture, Best Director, and Best Screenplay. Listen to the episode to find the surprising other two films.

This episode can be consumed prior to a re-watch of the film, and the subsequent two episodes will each cover about half of the film after you watch the film armed with all the behind-the-scenes details from this one.

Bo Goldman INTV