Gayest Episode Ever

“Mac Finds His Pride” (November 7, 2018)

Twelve seasons in, It’s Always Sunny in Philadelphia stopped giving Mac the Smithers treatment and let him be gay, but it’s the season thirteen finale we’re talking about because it highlights Mac’s sexuality without making jokes, at least for the third act. The episode received wide praise, but did it also jeopardize the show’s comedic tone in order to make a statement?

Thanks to Dr. Alfred Smith, David Russell and Ally J. Shivka for offering their interpretations of the narrative in the dance sequence!

Watch the dance sequence in question here.

Read Vulture’s analysis of “Mac Finds His Pride.”

This is the second-to-last of our summer reruns; new episodes back Sept. 18 on the Patreon feed and Sept. 25 on the main feed! For this one, we're taking a break from looking at the ways that sitcoms advanced American discourse about LGBTQ people and instead gawking at campy 80s fluff — because that is also a thing that is important to gay people.

“Jennifer: The Movie” (October 29, 1983)

We’re celebrating both Halloween and week two of our celebration of Ann Jillian with an episode about how the 1983 NBC series Jennifer Slept Here is both so very weird and also a little gay boy’s fantasy — because it pairs an awkward boy with glamorous ghost, and that’s secretly what every little gay boy wishes he had to guide him through his awkward years. This is peak 80s, but also it has one of the best sitcom themes ever, regardless of decade.

Watch Drew’s video of the 1982 Night of a Thousand Stars fashion show, which features Ann Jillian looking like her most Debbie Harry ever.

Gawk in awe at:

• The opening to Mr. Smith
• The opening to Double Trouble
• The opening to Mr. Merlin
• The opening to Down to Earth
• The opening to Ann Jillian
• Ann as the Red Queen in the live action Alice in Wonderland + the very scary Jabberwocky scenes

Yep, we are still in summer reruns — but to return with new episodes in September! This one is out second look at the Showtime sitcom Brothers, which I feel too few listeners know about. Let this episode be your primer, however! And your jumping off point to watching the entire series on YouTube!

“It Only Hurts When I’m Gay” (October 25, 1985)

On paper, the idea of a sitcom taking on the subject of gay bashing seems like the worst idea, but somehow Brothers — TV’s first gay sitcom — manages to tell a real story about violence against gay people while avoiding the hokey “very special episode” tropes. We’re as shocked as anyone how good this turned out, and what’s more, it’s genuinely funny without underselling the gravity of the attack.

You can now watch Glen’s movie, Being Frank, on Freevee via Amazon Prime. WATCH IT NOW!

Please, watch this episode (and other Brothers episodes!) on YouTube. The posting we used to do this episode only had 36 views as of the time this GEE first went live!

This is a summer rerun of an episode that originally went live in May 2023. We know that no one likes to reflect on how Roseanne used to be awesome, but we get through that emotional baggage as quickly as we can to discuss why Martin Mull's character is openly gay but also tweaks certain gay stereotypes. 

“The Driver’s Seat” (November 30, 1993)

We’re giving another shot to Roseanne, because perhaps it’s been long enough that you all want to listen to stories about this iconic series. Perhaps not! Regardless, this show offered us Martin Mull’s Leon, who goes unsung in the annals of gay supporting characters. He’s a villain, though much of his evildoing has nothing to do with his sexuality, and in this particular episode, his gayness doesn’t even come up — which is unusual, because usually gay supporting characters on sitcoms only show up to be gay and do nothing else.

This is a summer rerun of an episode that originally went live in May 2023. It's good even if you think you don't care about Green Acres, we swear!

“What’s in a Name?” (February 16, 1966)

On a show all about the zany inhabitants of Hooterville, Ralph Monroe (Mary Grace Canfield) stands out because the most unusual thing about her is her name. She works as a carpenter and dresses for her work, but that name alone is enough that most Hootervillians don’t know what pronoun to use for her. As we discuss with special guest Josh Trujillo, Ralph is not a trans character, but this episode about her seeking a new name so she can get married, offers enough to qualify her as interesting enough to merit her own episode of this podcast… darling.

Since this episode originally went life, Josh's book, WASHINGTON'S GAY GENERAL, went on sale. GO BUY IT!

“The New Girl” (September 19, 1992)

Tori Scott is more than just the mysterious seventh Bayside High student who exists in a fractured Saved by the Bell timeline in which Jessie and Kelly don’t exist. She’s also really gay in the tradition of Jo from The Facts of Life, and not only because Leanna Creel, the actress who played Tori, came out in real life. Erin Fletcher returns to explain why she’s actually a better match for Zack than Kelly or AC Slater… because Zack Morris is the Blair Warner of Saved by the Bell.

Listen to Erin’s previous appearance, in which we also discussed a lesbian-tinged ep titled “The New Girl.” (And yes, there is a Tori Scott fanvid.)

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And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

This is a TableCakes podcast.

Leading up to our return in September, we are doing summer reruns, which is our way of repurposing episodes that with a little configuring (and retitling) might get more listens than they got back in the day. First up: Mama's Family! And next week, you'll be getting a full-fledged new episode about Saved by the Bell! Enjoy!

“There Is Nothing Like the Dames” (February 17, 1990)

Believe it or not, Mama’s Family has a deeply queer history. While the final result of — the syndicated revival that returned to TV after NBC canceled the it — bears little of that, this episode goes over all the ways a recurring sketch on The Carol Burnett Show originally told the story of a queer-coded artist who can’t relate to his family back home. It’s all the stranger to consider that Mama’s Family never did an explicitly queer episode, even with all those Bob Mackie costumes.

Read the article in which Bubba actor Allan Kayser talks about his famously tight jeans.

Vicki Lawrence sings the original, non-instrumental version of the Mama’s Family theme song. But also listen to her disco banger “Don’t Stop the Music” and the no. 1 murder mystery pop hit “The Night the Lights Went Out in Georgia.”

Watch the brilliant 1982 TV movie adaptation of the Harper family saga, Eunice. Also watch The Carol Burnett Show’s famous “Went With the Wind” sketch. But most importantly watch the original sketch version that led to Mama’s Family, when it was just called “The Family.” It made Drew way more sad than sketch comedy usually does.

“Queer Studies and Advanced Waxing” (March 31, 2015)

In its sixth and final season, Community decided to explore the series-long running joke about Dean Pelton’s mysterious, complex sexuality. Henry Gilbert once again joins us to discuss how the dean is not actually gay — he may be a pansexual imp, after all — but in forcing him to pick a tidy label, this show does a good job showing how many queer people end up pigeonholing themselves in a way that doesn’t fully express who they are.

Listen to Henry’s podcast, Talking Simpsons.

Listen to his episode about Pride Nite at Disneyland on Podcast: The Ride.

The Community “this better not awaken anything in me” clip.

The trailer for Portuguese Gremlins, which is not only the best thing Community ever did but also a justification for the medium of TV in general.

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Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn

And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

This is a TableCakes podcast.

“Drew’s Brother” (November 19, 1997) 

We finally did it! We not only found the perfect guest for this episode — writer, performer and UCB alum Joan Ford — but we also got the chance to tell the world that The Drew Carey Show deserves to live it. It’s not only the most successful Friends clone but also the only one that sustained a whole series about working class young people. And in its third season, it introduced Drew’s brother Steve (John Caroll Lynch) who is a cross-dresser who might just be a transwoman. What’s more, the show pairs Steve off with Mimi Bobeck (Kathy Kinney), who is dragtastic and deserving of queer icon status in her own right.

Follow: GEE on Facebook • GEE’s Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter

Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn

And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

This is a TableCakes podcast.

“The Censors,” (April 10, 1980)

James L. Brooks followed up the hit Taxi with another workplace ensemble that skewed decidedly fancier: The Associates featured a young and unknown Martin Short among a group of fresh hires at a Wall Street law firm. The show didn’t work and is almost forgotten today. But its second-to-last episode did feature a trip to the Hollywood set of a sitcom where a producer battles an overzealous censor. There’s a gay sublot, but the overall story is a cautionary tale that applies to people making TV today just as much as it did four decades ago

Follow: GEE on Facebook • GEE’s Facebook Group • GEE on Twitter • GEE on Instagram • Drew on Twitter • Glen on Twitter

Listen: Apple Podcasts • Spotify • Google Podcasts • Himalaya • TuneIn

And yes, we do have an official website! We even have episode transcripts courtesy of Sarah Neal. Our logo was designed by Rob Wilson. This episode’s art was designed by Ian O’Phelan.

This is a TableCakes podcast.