Traditional Variety has been a lifelong fascination for poet and playwright Amanda Dalton. She grew up in a family that included several amateur and professional entertainers and from an early age the world of Variety Theatre was ‘in her blood’... During WW2, her dad organised and performed in a night of entertainment at King Farouk’s palace in Cairo, She recalls her mum tap dancing in the kitchen as the dinner burnt. One of her most precious and prized possessions is a poster, retrieved from her uncle’s home, for a variety show at the New Hippodrome, Darlington in 1938 - acts including Waldini’s Famous Gypsy Band, Billy Brown Upside Down and his wonderful dog Lady and her uncle himself, Barry Phelps. With Idina Scott Gatty, Entertainer. As a child, Amanda never missed Sunday Night at the London Palladium or the Good Old Days on TV. Variety shows were her parents’ favourites - her obsession with them is perhaps not surprising.

The acts that have always most fascinated her are those ‘speciality’ acts that disturb even as they entertain, designed to bamboozle the audience and mess with the mind. These essays will explore Amanda’s relationship with the different kinds of acts that thrived as UK Variety emerged from the embers of Music Hall (1930s – 1950s). Listeners are introduced to some of the key performers, a fascinating collection of unusual and striking characters with extraordinary skills and showmanship.

Essay 2: Gokkle o’ Geer: Ventriloquists and their Dummies

Fascinated by the ‘speciality’ acts that disturb even as they entertain, in this second essay of the series Amanda turns her attention to ventriloquism. Rooted in Amanda’s personal experience, she considers ventriloquism’s extraordinary relationship with the human gut and traces its origins to the ancient belly prophets – or gastromancers. What might the anarchic truth-speaking of the ventriloquist’s doll have to tell us about both our physiology and our minds?

Writer and reader, Amanda Dalton

A Naked Production for BBC Radio 3.

Biog