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The Mexican auteur reflects on the supernatural experiences that shaped him, lessons he learned from films that got derailed and why his latest work — "a musical-thriller-drama Douglas Sirk version of a monster movie" about "outsiders" striving to save "a filthy thing that came from South America" — is not only his favorite but "me, in my totality."
But first: Annette Insdorf, a professor in the Graduate Film Program of Columbia University's School of the Arts, joins Scott to talk about her new book Cinematic Overtures: How to Read Opening Scenes, great opening scenes of 2017 films and the differences between Academy members in New York and LA.
Credits: Hosted by Scott Feinberg, recorded and produced by Matthew Whitehurst.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By The Hollywood Reporter4.7
13291,329 ratings
The Mexican auteur reflects on the supernatural experiences that shaped him, lessons he learned from films that got derailed and why his latest work — "a musical-thriller-drama Douglas Sirk version of a monster movie" about "outsiders" striving to save "a filthy thing that came from South America" — is not only his favorite but "me, in my totality."
But first: Annette Insdorf, a professor in the Graduate Film Program of Columbia University's School of the Arts, joins Scott to talk about her new book Cinematic Overtures: How to Read Opening Scenes, great opening scenes of 2017 films and the differences between Academy members in New York and LA.
Credits: Hosted by Scott Feinberg, recorded and produced by Matthew Whitehurst.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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