Sign up to save your podcasts
Or
Share H.264 vs ProRes 422 — What Filmmakers Need to Know
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
H.264 vs ProRes 422 — What Filmmakers Need to Know
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
View all episodes
By Filmmaking Stuff
4.4
5555 ratings
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
More shows like The Filmmaking Stuff Podcast
View all
Pivot
9,724 Listeners
The Business
670 Listeners
Scriptnotes Podcast
2,435 Listeners
The No Film School Podcast
425 Listeners
Making Movies is HARD!!!: The Struggles of Indie Filmmaking
213 Listeners
The Director’s Cut - A DGA Podcast
748 Listeners
Just Shoot It: A Podcast about Filmmaking, Screenwriting and Directing
258 Listeners
Show Don't Tell: Micro-Budget Filmmaking
172 Listeners
Conan O’Brien Needs A Friend
59,604 Listeners
Team Deakins
1,120 Listeners
WHAT WENT WRONG
3,570 Listeners
SmartLess
58,365 Listeners
The Town with Matthew Belloni
1,132 Listeners
The Movie Marketing & Distribution Podcast
4 Listeners
The Honest Filmmaker
3 Listeners