Sign up to save your podcasts
Or
Share H.264 vs ProRes 422 — What Filmmakers Need to Know
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
H.264 vs ProRes 422 — What Filmmakers Need to Know
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
View all episodes
By Filmmaking Stuff
4.4
5555 ratings
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
More shows like The Filmmaking Stuff Podcast
View all
The Business
665 Listeners
Scriptnotes Podcast
2,427 Listeners
The Weekly Planet
8,703 Listeners
The No Film School Podcast
420 Listeners
Indie Film Hustle® - A Filmmaking Podcast
301 Listeners
IndieWire: Screen Talk
329 Listeners
The Director’s Cut - A DGA Podcast
740 Listeners
IndieWire's Filmmaker Toolkit
103 Listeners
The Daily
112,454 Listeners
Show Don't Tell: Micro-Budget Filmmaking
160 Listeners
The Screenwriting Life with Meg LeFauve and Lorien McKenna
970 Listeners
Team Deakins
1,118 Listeners
WHAT WENT WRONG
3,114 Listeners
Script Apart with Al Horner
205 Listeners
The Town with Matthew Belloni
1,069 Listeners