In this episode, I’m joined by filmmaker West Eldredge to break down how he made his debut feature Take From Me on a budget of $80,000 - and turned it into a real-world release on major platforms.

We talk candidly about what actually moves the needle on an ultra-low budget feature: prioritizing casting, building a crew that can adapt under pressure, using festivals as a testing ground, and leveraging a strong trailer to start distribution conversations early.Topics covered include:

• Why West chose micro-budget filmmaking as a solution to finally making a feature
• How crowdfunding, personal investment, and favors helped build an $80K budget
• Why he prioritized casting above almost everything - and what 4,000+ submissions taught him
• Chemistry reads, ensemble casting, and avoiding the “name actor trap” on low budgets
• Skeleton crew realities and what happens when a key crew member is suddenly gone
• Festival strategy lessons and how audience feedback helped define the film’s genre
• Pitching distributors andwhy a great trailer matters more than you think
• Post-production burnout, bringing in new collaborators, and staying motivated

Links from the show:

West Eldredge - Instagram

West Eldredge - Website

Take From Me - Watch on Prime Video

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In this episode I’m joined by filmmaker Anna Elizabeth James, whose psychological thrillers Deadly Illusions and Held Hostage in My House both found major success on Netflix, including top-chart placement on the platform.

Throughout the interview we break down Anna’s unconventional approach to building a sustainable filmmaking career outside the traditional studio system. We dive deep into intellectual property ownership, licensing vs selling films outright, and how filmmakers can retain long-term leverage while still working with major distributors and streamers.

We also explore how shifting industry economics are creating new opportunities for independent storytellers who understand how to position themselves strategically. 

Topics covered include:

• How Deadly Illusions and Held Hostage in My House reached Netflix
• Licensing vs selling films, and why IP ownership matters more than ever
• What filmmakers should know about distributors, streamers, and rights reversion
• Navigating the post-streaming-boom slowdown and emerging opportunities
• Why film festivals aren’t the only viable path anymore
• Thinking entrepreneurially without sacrificing creative integrity
• The future of branded storytelling and creator-led business models

Links from the show:

Anna Elizabeth James – IMDb

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In this episode, I’m joined by filmmaker Mark Hensley, whose new feature Clown and Out in Valley Village was shot entirely guerrilla-style over the course of a year, for just $4,000.

Mark shares how he wrote, shot, lit, and edited the film with no crew, no permits, and no safety net, all while working full-time as a re-recording mixer for major network shows.We dive deep into micro-budget filmmaking, practical sound strategies, on-the-fly rewrites, and why taking your time on a no-budget feature can actually elevate the final product far beyond what traditional indie shoots allow

Topics covered include:

• Shooting a feature over a full year with no crew
• Rewriting and reshaping a 200-page script for micro-budget practicality
• Why slow, flexible production schedules often lead to better movies
• Reshooting scenes strategically - and why even big studio films build this in
• Making “bad” production audio usable with smart technique
• How pros mix dialogue on network shows (and why lavs can beat booms)
• Picking the right camera for the film - not the “best” camera

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In this episode, I’m joined by Steven Bernstein, ASC - the legendary cinematographer behind films like Monster, Bulletproof, and The Waterboy - to explore his extraordinary journey from BBC-trained writer/director to one of Hollywood’s most insightful visual storytellers.

We discuss Steven’s unconventional path into cinematography, how he developed his philosophy of the “20 languages of cinema,” and why he believes most screenwriting rules hold filmmakers back rather than push them forward.

Topics covered include:

• How Steven transitioned from the BBC to shooting studio features
• The craft lessons he learned working on Monster and major studio comedies
• Why he rejects rigid screenwriting formulas in favor of cinematic “grammar”
• Understanding the 20 languages of cinema: composition, editing, sound, and more
• How filmmakers can avoid being pigeonholed creatively or professionally
• Building a sustainable career by mastering both story and image

Links from the show:

Steven Bernstein – Instagram

Steven Bernstein – IMDb

Filmmaker and Fan’s Podcast

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On today’s episode, I’m joined by filmmaker Hudson Phillips, who returns to share the incredible story of how his first appearance on the podcast led to getting his feature film financed (via one of our listeners)

Throughout the discussion we take a deep dive into the realities of making micro-budget features profitable - Touring films like bands, selling merch, building community city-by-city, and designing a sustainable filmmaking life outside the traditional Hollywood pipeline.

Topics covered include:

• How a single podcast interview led directly to a private film investor
• Touring your film like a band, and why this model works
• How to screen in multiple cities without losing money
• The merch items that actually sell at indie screening events
• Lessons from distribution hell, and why Hudson went DIY
• Self-releasing via FilmHub, Bitmax & digital strategy in 2025+
• Building a real community vs chasing festivals
• Why creative constraints make films better (even at the studio level)
• “Higher-concept, lower-budget” filmmaking strategy
• The future of micro-budget movies & audience building

Links from the show:

Mirror Box Films

Hudson Phillips - Instagram

Mirror Box Films - Substack

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In this episode I’m thrilled to be joined by Luke Barnett to discuss our viral short film OVATION, made for just $50 over a two-hour shoot. The film satirizes the never-ending standing ovations at major festivals that have dominated the trades in recent years.

Within days of completion, the short caught fire online and even landed a feature in Variety - proof that the smallest, most spontaneous projects can yield outsized results. Throughout the discussion we unpack OVATION in detail, along with Luke’s wildly successful short The Crossing Over Express, another viral sensation viewed by millions that was transformative for his career.

Topics covered include:

• The origin of Crossing Over Express and building a deeply personal short
• Shorts that connect vs. features that stall - and why connection beats runtime
• What “branding yourself” as an artist really means for your career
• Crafting OVATION: single take, no dialogue, real applause, two lights, tiny room
• Satire vs. parody: the importance of keeping it grounded and real
• Festivals or internet? How to decide where your short belongs
• “Asymmetric bets”: making fast, cheap work with huge upside
• Hustle, grit, and the necessary (healthy) delusion to survive this industry

If you enjoy OVATION, please leave a comment, thumbs up, or share with a friend!

Links from the show:

OVATION - Watch On YouTube!

The Crossing Over Express

Luke Barnett - Instagram

Luke Barnett - X

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In this episode I’m joined by filmmaker Jon Bregel, who recently DP'd the new Jay Duplass feature film The Baltimorons - which premiered at this year's SXSW film festival, and was released theatrically in September via IFC Films.

Throughout the interview we trace Jon's journey from leveraging Vimeo as a tool to launch a successful commercial career in New York, to stepping away and redefining what it means to be a working filmmaker. We dig into creative alignment, sustainable career building, and how a documentary-minded approach has shaped some of his recent work. 

Topics covered include:

• From Vimeo Staff Pick to a call from Nike -  early momentum in the Vimeo heyday
• Burnout, depression, and redefining success beyond money and prestige
• How to work like a professional, build routines, and treat freelancing like a real business
• Landing The Baltimorons: and how “manifesting” opportunities really works
• Lighting quickly with tiny crews, embracing imperfection, and protecting spontaneity
• What Jon learned from Jay Duplass about presence, and generous leadership
• Practical longevity: sustaining energy and morale across an indie feature schedule

Links from the show:

The Baltimorons - Movie Site

Jon Bregel - Website & Coaching

The Nourish Community

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In this episode I am joined by longtime friend and fellow filmmaker Ryan Oksenberg, here to break down the making of his debut feature FOIBLES - a darkly comic, surreal satire about codependency and addiction.

Throughout the episode we take a behind the scenes look at this feature - How Ryan greenlit the project himself, pulling off big set pieces on an indie budget, the 13-month post pipeline, music licensing reality checks, and taking home an award at Kevin Smith’s Smodcastle for best Actor.

Topics covered include:

• Moving from shorts to a debut feature with a SAG Ultra Low Budget agreement
• Building a 40-person crew, and setting up basecamp at home
• Practical vs. digital: stunt days that don’t go to plan, and why it works in the edit
• Shot listing & storyboarding every beat vs. staying nimble on the day
• Casting on a budget: personal letters, partnering with casting directors
• Post for indies: cutting, feedback screenings, and when to let go
• Music supervision 101: masters + publishing, MFN, festival vs. all-media licenses
• The Kickstarter × Tubi path: hitting the goal to unlock a grant and AVOD distribution

Links from the show:


FOIBLES — Official Trailer

Support FOIBLES on Kickstarter

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In this episode filmmaker and novelist Mick Lexington joins me to unpack the development phase for his debut feature Mr. Jack - an existential New York drama adapted from his own novel.

Through the interview we dig into the process of raising a ~$400K production budget, why he brought on a dedicated fundraising lead, and how his “agile filmmaking” approach allows him to start elements of production ahead of principle photography. We also dive deep on writing craft - outlining, “killing your darlings,” beating procrastination with consistent routines and much more.

Topics include:

• Working with a fundraising specialist to raise a target budget of $400K
• “Agile filmmaking”: building momentum by shooting key exteriors ahead of produciton
• Casting strategy without star names and avoiding audience-misleading cameos
• Turning New York City into a story engine: LES & Williamsburg as living backdrop
• Writing cadence & anti-procrastination: consistent daily blocks vs. bursts
• Why the final rewrite is the edit - and planning for pickups and pivots

Links from the show:

Mr. Jack - Website

Mick Lexington - Website

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In this episode, I am joined by filmmaker Matthew Freiheit, whose career has spanned work with major artists like Wu-Tang Clan, Red Hot Chili Peppers, and Nicki Minaj - and who has now broken into feature filmmaking with his debut Iconic.

Shot for just $40,000 in his Los Angeles apartment and across more than 25 locations, the feature film blends arthouse style with run-and-gun energy, and has already secured distribution.

Throughout our discussion we cover:

• Transitioning from music and fashion projects to narrative filmmaking
• How Matthew maximized limited resources to create a big-scope on a micro-budget
• Writing around real locations and existing gear to stretch production value
• Directing while also DP’ing and editing - and how to balance those roles effectively
• Tips for pre-lighting and shooting 6–8 pages per day without sacrificing quality
• What it’s really like taking your debut feature to AFM 
• The evolving role of AI tools in filmmaking and how Matthew is exploring them
• Much more

Links from the show:

Matthew Freiheit – Instagram

Iconic – Instagram

Iconic – Website

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