Today we take a deep dive into the world of no-budget cinematography, looking at methods and workflows for achieving better results within limited means. 

The full episode covers:

• The 3 “no’s” of no-budget cinematography
• Workflow differences on a no-budget production
• Avoiding common pitfalls that can kill production value
• Lighting setups, blocking, framing, and actor placement
• Using day-for-night as a tool for both interiors and exteriors
• Much more!

These lessons offer a glimpse into my upcoming filmmaking course No-Budget Cinematography Blueprint, which will be released later this month.

As a listener, you can save 50% when you pre-order the course now!

Simply use code: SDT50 at checkout here.

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Today I am joined by returning guest Whitney Ingram to talk all about the world of freelance filmmaking.

After a stint working in-house as a content creator, Whitney recently re-entered the freelance world and is already finding success landing projects that align with her creative goals. Throughout the episode we explore the benefits (and challenges) of going freelance full time, and how Whitney strikes a balance between corporate gigs and passion projects.

Whitney also shares her recent experience directing and DP'ing a short film, leveraging social media as a career tool, and strategies for landing paid work.

Links from the show:

Whitney Ingram - Instagram

Whitney Ingram - YouTube

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In this episode, we explore the age old issue of imposter syndrome and look at ways to eliminate self-doubt as a filmmaker. From comparing yourself to others to fear of failure - the episode is packed with strategies to combat negativity.

Topics covered include:

• The difference between healthy self-criticism and debilitating doubt
• Why you should avoid sharing your film ideas prematurely
• The dangers of setting arbitrary deadlines for "making it" in the industry
• How to handle criticism from non-filmmakers
• Why making films repeatadly is the best way to overcome self doubt

All of this and much more on today's show.

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In this episode, I am joined by writer, producer and actor Jonathon M. Smith - who originally connected with me through my filmmaking community (The Backlot). 

Not long after joining the community, Jonathon went on to make his debut feature film Broken City, lock in distribution, and launch an impressive film marketing event in his hometown. Throughout the interview, Jonathon sheds light on his philosophy on filmmaking, the challenges of fundraising, and his decision to shoot a low-budget film in a single location.

He also speaks to the importance of mental toughness, how his background in sports impacted his disciplined approach to filmmaking, and much more. 

Links from the show:

Jonathon M. Smith - Email
Broken City - Amazon
Jonathon M. Smith - X 
Jonathon M. Smith- Instagram

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In this episode, I dive deep into the world of single location filmmaking and share my thoughts making the most of your micro-budget production.

Throughout the show I unpack many of the common pitfalls associated with this approach - like keeping your audience engaged and avoiding visual repetition - along with creative solutions at each step. Topics covered include:

• Writing your script around the location from the beginning
• Seeking out primal stories with high stakes and character potential
• Utilizing every space within the location to add visual variety
• Varying the time of day to create diverse lighting setups and moods
• Casting dynamic actors with natural chemistry to add intensity

All of this and much more on today's show!

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Today I am joined by Ryan McGuire, who heads up the commercial production company Cutter Studios in Tokyo, Japan. 

Throughout the interview, Ryan and I take a deep dive into the world of commercial filmmaking. Ryan shares his story launching a niche production business in Japan, which has attracted clients like Amazon and Zeiss along the way. We also discuss tips for filmmakers looking to build an impressive body of work, how to best differentiate yourself, the impact of AI on the industry, and much more. 

Links from the show:

Cutter Studios Tokyo
Ryan McGuire - LinkedIn
Ryan McGuire - Instagram

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In this episode I am joined by friend of the show and host of Past Present Feature (@pastpresentfeature), Marcus Mizelle. An Emmy award winning feature filmmaker who has made numerous successful DIY narrative and documentary films.

Throughout the interview we talk about Marcus’ leap from scripted micro-budget narratives, to breakthrough feature doc projects. He speaks to the importance of curation in modern day cinema, the state of the theatrical experience, and shares the benefits of podcasting and content creating for filmmakers.

This and much more on today's episode!

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Today I am thrilled to have acclaimed DP Oren Soffer on to talk about his recent work on The Creator, and all other things cinematography.

Oren is of course known for his brilliant camera work on countless narrative, commercial, and music video projects. He recently co-DP’d The Creator along with Greig Fraser - which drew tons of attention for its stunning visuals and innovative use of the Sony FX3.

Throughout the interview, Oren talks about his journey into cinematography, the process of co-DP'ing a project, and tips for budding cinematographers looking to break in. He also shares technical wisdom on green screens vs. gray screens, shooting with the FX3 on a major feature film, and much more! 

Links from the show:

Oren Soffer - Instagram  
Oren Soffer - Website
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In this episode I am very excited to share my interview with the amazing Barbara Crampton - Known for her iconic genre films like Re-Animator, Jakob’s Wife, Suitable Flesh, and countless others.

After recently working with Barbara on our new feature film, I had to get her on the podcast to discuss her unique creative process.

Throughout the discussion, we cover Barbara’s career path from soap star to genre legend. We also discuss tips for new directors working with actors, the importance of re-inventing yourself as an artist, landing notable actors for your film, and so much more.

Links from the show:

Barbara on Instagram
Barbara on Twitter
Barbara on Facebook
Scream Dreams Podcast

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In this episode, I share a breakdown of some amazing and unconventional lens choices on the feature film Poor Things.


While many lenses were used throughout production, there were 4 in particular that I believe contributed most critically to the distinct look of this film - Including a pair of Lomography Petzval lenses, and a 4mm lens adapted from Super 16. 

Throughout the episode, I cover each lens in depth, explore how they were used, and share other key takeaways from the film.

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