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Michael Berkeley’s guest is the artist Heather Phillipson whose giant swirl of cherry-topped, fly-blown whipped cream has recently been installed on the fourth plinth in Trafalgar Square.
Heather was a serious classical musician in her teens, and often uses music she’s composed and performed in her work.
She talks to Michael about music she’s loved since her childhood, including a Mozart symphony and Prokofiev’s Peter and the Wolf; a radical opera by Robert Ashley from the 1980s that has had a profound influence on her work; piano music by Grieg which reminds her of her grandmother; and the soaring emotional impact of Beethoven’s Piano Concerto No 5.
Produced by Jane Greenwood
By BBC Radio 34.4
3333 ratings
Michael Berkeley’s guest is the artist Heather Phillipson whose giant swirl of cherry-topped, fly-blown whipped cream has recently been installed on the fourth plinth in Trafalgar Square.
Heather was a serious classical musician in her teens, and often uses music she’s composed and performed in her work.
She talks to Michael about music she’s loved since her childhood, including a Mozart symphony and Prokofiev’s Peter and the Wolf; a radical opera by Robert Ashley from the 1980s that has had a profound influence on her work; piano music by Grieg which reminds her of her grandmother; and the soaring emotional impact of Beethoven’s Piano Concerto No 5.
Produced by Jane Greenwood

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