Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. 

In the second part of this encore episode of Hit Parade, Chris Molanphy explores the history of novelty hits on the charts.

Podcast production by Justin D. Wright and Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Sped-up voices. Wacky instruments. Songs about cavemen, bathtubs, bikinis, and mothers-in-law. From the dawn of rock ‘n’ roll through the 1970s—the age of streaking, CB radios, disco and King Tut—novelty songs could be chart-topping hits. But by the corporate ’80s, it was harder for goofballs to score hits on regimented radio playlists. Until one perm-headed, mustachioed, accordion-playing parodist who called himself “Weird” rebooted novelty hits for the new millennium. 

In this encore episode of Hit Parade, Chris Molanphy explores the history of novelty hits on the charts.

Podcast production by Justin D. Wright and Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric.

The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge.

Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

When Kendrick Lamar took the Super Bowl halftime stage in 2025 and had the stadium chanting along to “Not Like Us,” it was clear: Diss tracks had gone stratospheric.

The Kendrick vs. Drake beef echoes legendary rap rivalries like Biggie vs. Tupac and Jay-Z vs. Nas—but diss tracks stretch back through a century of American pop to the Tin Pan Alley era. Vaudeville singer Eddie Cantor, James Brown, John Lennon, Carly Simon, Kool Moe Dee, Lauryn Hill, and countless other artists have all tapped the hitmaking power of a personal grudge.

Step this way and join Chris Molanphy as he traces the history of answer records, diss tracks, and rap beefs that shaped the charts—and the culture.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n’ roll’s flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.

What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today’s more openly queer stars.

For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It’s a celebration of these artists’ quest to feel… mighty real.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n’ roll’s flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.

What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today’s more openly queer stars.

For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It’s a celebration of these artists’ quest to feel… mighty real.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana’s genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard’s Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed?

Join Chris Molanphy as he explores alternative rock’s evolution from the cutting edge to the middle of the road.

Podcast production by Olivia Briley and Kevin Bendis

Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of Nevermind, Nirvana’s genre-defining breakthrough, is a familiar one. Less well known is the saga of Billboard’s Modern Rock chart—and how college-rock staples of the 1980s like R.E.M. and The Cure gave way to heavier, more commercially dominant groups of the ‘90s like Soundgarden, Alice in Chains, Pearl Jam, and The Smashing Pumpkins. What sparked the grungification of the charts? How did Modern Rock become the new Top 40? And how did the Seattle sound pave the way for post-grunge bands like Sublime, Third Eye Blind, and even Creed?

Join Chris Molanphy as he explores alternative rock’s evolution from the cutting edge to the middle of the road.

Podcast production by Olivia Briley and Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s been nearly a decade since Rihanna released a studio album—and fans and critics alike have wondered when, if ever, a follow-up to 2016’s Anti might arrive. Which is ironic, because in her heyday, Rihanna was the most productive hitmaker on the charts.

Churning out at least one album a year in the late aughts and early ‘10s,  Rihanna’s approach to the charts was closer to early Motown or the Beatles than Beyoncé or Taylor. The result: the Barbadian pop deity scored more No. 1s than any 21st century artist, from “SOS” and “Umbrella” through “Diamonds” and “Work.” 

Join Chris Molanphy as he traces Rihanna’s journey from tropical tyro to commanding chart queen and explores how she found hits at a boundless pace.

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s been nearly a decade since Rihanna released a studio album—and fans and critics alike have wondered when, if ever, a follow-up to 2016’s Anti might arrive. Which is ironic, because in her heyday, Rihanna was the most productive hitmaker on the charts.

Churning out at least one album a year in the late aughts and early ‘10s,  Rihanna’s approach to the charts was closer to early Motown or the Beatles than Beyoncé or Taylor. The result: the Barbadian pop deity scored more No. 1s than any 21st century artist, from “SOS” and “Umbrella” through “Diamonds” and “Work.” 

Join Chris Molanphy as he traces Rihanna’s journey from tropical tyro to commanding chart queen and explores how she found hits at a boundless pace.

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices