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Critically acclaimed debut novelist, Molly McGhee, spoke with me about the best day of her life, her part in The Great Publishing Resignation, losing a parent, and her first book JONATHAN ABERNATHY YOU ARE KIND.
Molly McGhee writes fiction and essays and taught in the undergraduate creative writing department at Columbia University where she also graduated with an MFA in fiction.
Her debut novel is Jonathan Abernathy You Are Kind, described by The New York Times as a story about, “... debt-laden citizens [who] are recruited to ‘audit’ others’ dreams — all in the name of productivity.”
In a starred review Booklist said of the book, “… a superlative state-of-the-nation novel like no other. Full of astoundingly resonant and eminently quotable points about labor, capital, and depression, this wondrous literary creation brilliantly captures the excessive demands of contemporary work.”
Molly has worked in the editorial departments of McSweeney’s, The Believer, NOON, Farrar, Straus and Giroux, and helped launch a horror imprint at Tor. Her work has appeared in The Paris Review, LitHub, and others.
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In this file Molly McGhee and I discussed:
Show Notes:
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4.5
206206 ratings
Critically acclaimed debut novelist, Molly McGhee, spoke with me about the best day of her life, her part in The Great Publishing Resignation, losing a parent, and her first book JONATHAN ABERNATHY YOU ARE KIND.
Molly McGhee writes fiction and essays and taught in the undergraduate creative writing department at Columbia University where she also graduated with an MFA in fiction.
Her debut novel is Jonathan Abernathy You Are Kind, described by The New York Times as a story about, “... debt-laden citizens [who] are recruited to ‘audit’ others’ dreams — all in the name of productivity.”
In a starred review Booklist said of the book, “… a superlative state-of-the-nation novel like no other. Full of astoundingly resonant and eminently quotable points about labor, capital, and depression, this wondrous literary creation brilliantly captures the excessive demands of contemporary work.”
Molly has worked in the editorial departments of McSweeney’s, The Believer, NOON, Farrar, Straus and Giroux, and helped launch a horror imprint at Tor. Her work has appeared in The Paris Review, LitHub, and others.
[Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm]
[If you’re a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen]
In this file Molly McGhee and I discussed:
Show Notes:
Learn more about your ad choices. Visit megaphone.fm/adchoices
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