
Sign up to save your podcasts
Or
The most important moment in your story is the moment when your protagonist is faced with a decision.
Do this or do that? Stay or go? Speak or remain silent? Flee or fight?
In fact, your protagonist will face dozens of decisions throughout your novel. They’ll face at least one in every scene: moments where they experience a crisis, when whatever happens next hinges on the decision they make.
But how long should this moment take? Does your protagonist need to waffle between two options for several pages in every scene? Do they even need to know the full weight of what they’re deciding?
In this episode, I’m sharing the art and science of the perfect crisis. You’ll learn:
Plus, I’ll break down the opening scenes of two novels with very different crises.
You’ll see how Natalie C. Parker writes a five-page-long crisis in Seafire—and why it works.
And you’ll see how Naomi Novik writes a crisis so short you could blink and you’d miss it in Spinning Silver. Yet the choice the protagonist makes sparks the conflict of the whole book.
A well-written crisis can be the absolute best moment in a scene. Find out how to master the crisis in this episode!
This episode was inspired by a listener question from David. Thanks, David!
Have an editing question you’d like answered? Send me an email at [email protected] with the subject line “Podcast Question,” and I’ll keep it in mind for future podcast episodes!
Links mentioned in the episode:
Send me a Text Message!
Support the show
Rate, Review, & Follow on Apple Podcasts
"I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!
Loving the show? Show your support with a monthly contribution »
5
5757 ratings
The most important moment in your story is the moment when your protagonist is faced with a decision.
Do this or do that? Stay or go? Speak or remain silent? Flee or fight?
In fact, your protagonist will face dozens of decisions throughout your novel. They’ll face at least one in every scene: moments where they experience a crisis, when whatever happens next hinges on the decision they make.
But how long should this moment take? Does your protagonist need to waffle between two options for several pages in every scene? Do they even need to know the full weight of what they’re deciding?
In this episode, I’m sharing the art and science of the perfect crisis. You’ll learn:
Plus, I’ll break down the opening scenes of two novels with very different crises.
You’ll see how Natalie C. Parker writes a five-page-long crisis in Seafire—and why it works.
And you’ll see how Naomi Novik writes a crisis so short you could blink and you’d miss it in Spinning Silver. Yet the choice the protagonist makes sparks the conflict of the whole book.
A well-written crisis can be the absolute best moment in a scene. Find out how to master the crisis in this episode!
This episode was inspired by a listener question from David. Thanks, David!
Have an editing question you’d like answered? Send me an email at [email protected] with the subject line “Podcast Question,” and I’ll keep it in mind for future podcast episodes!
Links mentioned in the episode:
Send me a Text Message!
Support the show
Rate, Review, & Follow on Apple Podcasts
"I love Alice and Your Next Draft." If that sounds like you, please consider rating and reviewing my show! This helps me support more writers through the mess—and joy—of the editing process. Click here, scroll to the bottom, tap the stars to rate, and select “Write a Review.” Then be sure to let me know what you loved most about the episode!
Loving the show? Show your support with a monthly contribution »
621 Listeners
995 Listeners
215 Listeners
1,287 Listeners
5,151 Listeners
305 Listeners
3,770 Listeners
1,425 Listeners
3,098 Listeners
18 Listeners
766 Listeners
617 Listeners
355 Listeners
81 Listeners
14 Listeners