On podcasts devoted to free speech and so-called heterodox discourse, the 2018 book The Coddling of the American Mind is probably mentioned more frequently than any other. Written by social psychologist Jonathan Haidt and legal scholar and Greg Lukianoff, who now heads the Foundation for Individual Rights and Expression (FIRE), it is effectively the bible of the Heterodox crowd. And now it’s a movie. My guests are husband and wife filmmaking team Ted Balaker, who directed the film, and Courtney Moorehead Balaker, who produced it.

In this conversation, they discuss how they took a book about ideas and turned it into an engaging, poignant, and often very funny movie about mental health and how it intersects with higher education and campus life. They relay the stories of many of the young people featured in the movie and talk about the process of finding them. They also discuss how the movie ended up on Substack, where it’s making history as the first film to stream on that platform.

You can watch the film here.

GUEST BIO

Ted Balaker is an award-winning filmmaker, former think tank scholar and network news producer.  He co-founded Korchula Productions, a film production company devoted to making important ideas entertaining, and Free Minds Film, which uses workshops and project-specific consultations to teach independent filmmakers how to reach large audiences. Ted produced the feature film Little Pink House and is the director of The Coddling of the American Mind, based on The New York Times bestselling book by Greg Lukionoff and Jonathan Haidt and the very first feature documentary presented by Substack.

Courtney Moorehead Balaker is an award-winning filmmaker, adjunct professor of acting, and co-founder of Korchula Productions, a film production company devoted to making important ideas entertaining.  She also co-founded Free Minds Film, which uses workshops and project-specific consultations to teach independent filmmakers how to reach large audiences. Courtney wrote and directed Little Pink House, which stars Catherine Keener as Susette Kelo, the blue-collar woman whose fight against eminent domain abuse went all the way to the U.S. Supreme Court.

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