How the paparazzi transformed photojournalism

They are the bane of every celebrity’s life: that pack of press photographers who stake out the homes, hotels and other haunts of the rich and famous in the hope of bagging a revealing and lucrative image to sell to newspapers and magazines around the world. Known as paparazzi, these photo journalists stop at nothing to catch their prey – climbing trees, hiding in cars and chasing after their quarry on motor scooters at high speed. But where does the term ‘paparazzi’ come from? When did these celebrity snappers first appear? And why were the most famous of them almost all Italian to start with? To seek out the origins of the paparazzi, the Forum takes you back to the glitzy world of film stars in 1950s Rome. Bridget Kendall is joined by Antonella Pelizzari, professor of the history of photography at Hunter College in New York and author of many books on Italian photography; the film critic Shawn Levy whose books include Dolce Vita Confidential about film and photography in 1950s Rome; and cultural historian and photographer Giuliana Minghelli whose books, including Stillness in Motion, look at the interaction between Italian film, photography and the wider arts world. With a contribution from cultural historian Luca Cottini from Villanova University. The readers are Giovanni Noto and David McGuire. Image: English rock 'n' roll star Wee Willie Harris (right) brawls with a persistent photographer on the Via Veneto in Rome in 1962 (Credit: Keystone Features/Getty Images)