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This week we have a soulful (and long overdue) conversation around climate change and the restorative power of nature with Pulitzer-prize winning author Richard Powers. We begin by defining the thematic through-line between The Overstory and Bewilderment (5:06), the eco trauma articulated in each text (9:10), how we may redefine hope in 2021 (16:08), and what the pandemic may teach us about the looming climate crisis (26:18). Powers also details the ecological shortcomings of capitalism (29:00), our myopic interpretation (and fear of) death (30:56). On the back-half, we unpack why he writes (33:48), the need for “productive solitude” (40:40), and the singular way he writes analytical and emotional characters (44:42). To close– a fitting scene from one of Powers’ earlier works, Plowing the Dark (50:30), in which an older man enters an used bookstore, unable to find the book intended. And in the absence of that book, Richard Powers will continue to do so (52:50). On the back-half, we unpack why he writes (33:48), the need for “productive solitude” (40:40), and the singular way he writes analytical and emotional characters (44:42). To close– a fitting scene from one of Powers’ earlier works, Plowing the Dark (50:30), in which an older man enters an used bookstore, unable to find the book intended. And in the absence of that book, Richard Powers will continue to do so (52:50).
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
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This week we have a soulful (and long overdue) conversation around climate change and the restorative power of nature with Pulitzer-prize winning author Richard Powers. We begin by defining the thematic through-line between The Overstory and Bewilderment (5:06), the eco trauma articulated in each text (9:10), how we may redefine hope in 2021 (16:08), and what the pandemic may teach us about the looming climate crisis (26:18). Powers also details the ecological shortcomings of capitalism (29:00), our myopic interpretation (and fear of) death (30:56). On the back-half, we unpack why he writes (33:48), the need for “productive solitude” (40:40), and the singular way he writes analytical and emotional characters (44:42). To close– a fitting scene from one of Powers’ earlier works, Plowing the Dark (50:30), in which an older man enters an used bookstore, unable to find the book intended. And in the absence of that book, Richard Powers will continue to do so (52:50). On the back-half, we unpack why he writes (33:48), the need for “productive solitude” (40:40), and the singular way he writes analytical and emotional characters (44:42). To close– a fitting scene from one of Powers’ earlier works, Plowing the Dark (50:30), in which an older man enters an used bookstore, unable to find the book intended. And in the absence of that book, Richard Powers will continue to do so (52:50).
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
See omnystudio.com/listener for privacy information.
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