Director Destin Daniel Cretton made 2013's Short Term 12, one of Todd's favorite movies of the 2010s. For his follow-up film, he reteamed with that film's star, Brie Larson, and adapted the beloved memoir The Glass Castle.

The film follows the story of journalist Jeanette Walls, whose childhood years were spent living in extreme poverty, thanks to parents who went way, way off the grid, checking on her at many points throughout her life (including her young adulthood, when she tried to put her past behind her). It's a movie that displays Cretton's tremendous gift with actors, and his ability to tell heartwarming stories in a way that remains, nevertheless, clear-eyed and honest about how hard life can be.

But the book was more than an assignment for Cretton, who grew up in rural Hawaii and loves stories about people bumping up against their own vulnerability. He joined Todd to talk about his ties to the book, the best surfing in Southern California, and what's next for his young career.

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By many standards, PBS has had a pretty great 2010s. Downton Abbey was its biggest hit since The Civil War (which aired way back in 1990), Mitt Romney lost the 2012 election (and thus could never follow through on his threats against the broadcaster), and the network has gone from the 15th most watched to the 6th.

But all of that fails to account for a budget released by the Trump administration that would cut the federal funding of the Corporation for Public Broadcasting completely. The budget hasn't become the law of the land yet -- and even if it seems like it might, PBS has plenty of friends in Congress -- but it's still the most embattled the network has been in many, many years.

That's why Todd was so happy to have PBS's president and CEO, Paula Kerger, on the program to talk about what happens if the government stops funding PBS, how the network tries to serve everybody from digital streamers to rural antenna users, and just what it's like working with the famously prolific Ken Burns. Warning: This episode was recorded in a hotel and has some minor background noise in a few places.

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Janesville, Wisconsin, was one of the towns hardest hit by the economic collapse of the late 2000s. When the local GM plant closed, thousands of jobs that supported the entire city evaporated, leaving residents struggling to stay above water. That’s where journalist Amy Goldstein began following their story. The Washington Post reporter started profiling various residents of the town, following them over the course of several years as their fortunes shifted and changed, and as one Janesville split into two Janesvilles — one that recovered from the recession and one that didn’t. Amy joins Todd to talk about why it’s still so hard to look at the effects of the recession, how she reported a massive story over a massive period of time, and why it’s important to tell big stories like this through the lens of individual human beings.

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What Michaela Watkins does in Casual, Hulu's dramedy about self-involved Los Angelenos, is low-key remarkable. Her character, Valerie, is outwardly pulled together and the smartest woman in the room. But inwardly, she's falling apart, constantly dragged down in spirals of her own narcissism and self doubt. Watkins's trick is that she makes this both relatable and weirdly sympathetic. You can hate Valerie -- and many devoted Casual viewers do -- but you can never quite escape all the ways she's just like you. That means Michaela and Todd had a lot to talk about when it comes to her acting technique, but also what it means to make a show about such rich, privileged people in a world where those monikers increasingly sound like epithets.

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A Ghost Story is that most unusual thing -- a tiny movie that seems to encompass the entire universe. Made for a modest budget, the movie shows what happens to a young couple when the husband dies. It starts as a standard romance -- then somehow comes to skip across all of space and time. Director David Lowery (who also made the Pete's Dragon remake) joins Todd to talk about the movie's genesis, why we think of ghosts as sheets with eyeholes, and how he bounces between big Hollywood and smaller indies.

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Academy-Award winning documentarian Errol Morris is one of Todd's favorite filmmakers ever, not to mention a world-class investigator and interviewer who's managed everything from getting Robert McNamara to admit he could have easily been branded a war criminal to getting an innocent man freed from death row. He joins Todd to talk about his new movie, his love of photography, and the true-crime boom he kinda kicked off.

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It's a special edition of I Think You're Interesting as Todd is joined by David Sims of The Atlantic and Alison Willmore of Buzzfeed to pick the top summer movies of the 2000s. Each critic picks their five favorites, and then the arguing begins.

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Maz Jobrani comes by his love of political humor honestly. He studied political science in graduate school, before deciding to pursue his dreams of comedy instead. This week, Maz joins Todd to talk about figuring out how to make Trump supporters laugh as a liberal comedian, learning to own his political interests on stage, and avoiding typecasting as a Persian-American taking acting roles.

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Alan Sepinwall's blog What's Alan Watching launched in 2005, when he was working as a TV critic at Newark newspaper The Star-Ledger. The site would take the TV episode recap, something popularized on sites like Television Without Pity, and turn it into a place for almost instant analysis of readers' favorite shows. He's since moved on to Hitfix and Uproxx and has written two books, each on some of the greatest shows ever made. He joins Todd to talk about why he favors strong episodes to full seasons, the biggest changes to TV criticism over the years, and the greatest TV series ever made.

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No matter your thoughts on Fear the Walking Dead, the zombie show spinoff now entering its third season on AMC, it's hard to argue with the show's cast, which is filled with great actors from top to bottom. Recently, three of those actors -- Kim Dickens, Colman Domingo, and Frank Dillane -- joined Todd to talk about whether they prefer playing zombie fights or big conversations, shooting the series in Mexico, and what they've learned over three years on one of the biggest shows on TV.

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