Historian Maurice Casey reveals the story of an anti-Nazi resistance network and the family at its heart, told through a newspaper crafted by two young girls.

In the dusty corners of a Galician villa on Spain’s northern coast, Casey uncovered a forgotten archive of revolution, resistance and love. Among the documents was something extraordinary. The Alpenpost - a newspaper lovingly hand-crafted by Elisa and Alida Leonhard, two girls raised on Europe’s 1930s refugee routes.

Created every fortnight from late 1935 until 1940, The Alpenpost charted the activities of the two Leonhard girls and their mother Emmy, a veteran of the repressed world of Weimar German communism. With a mixture of cartoons, light stories and precocious political analyses, the girls charted their unusual upbringing as the children of an anti-fascist father and an exiled revolutionary mother.

Each issue was posted to the girls’ ‘papa’ Edo Fimmen, separated from his family, constantly travelling to maintain a network of activists and informants. Fimmen led the powerful International Transport-Workers’ Federation in continual resistance to fascism. Reading The Alpenpost, Edo could chart his daughters’ flight through 1930s Europe. Both a love letter to a father seperated from his family by dangerous work and a remarkable document of a childhood lived in flight from totalitarianism.

This is a tale of survival against the odds - not only the survival of a family that lived under grave political threats, but an archive that survived a journey across countries and generations.

Contributions from Pedro Ewald, Dieter Nelles, Rene Dumont, Bob Reinalda

Producer: Mark Burman

Alan Hall and his siblings have a shared story from their childhoods - their mum, Jackie, describes walking through a Liverpool park with her mum, their grandma, Hettie. It must be the 1940s. Hettie is a single mum. She'd fallen pregnant, according to family mythology, while working as a domestic servant in Scotland. Jackie has had spells in foster care. "Don't stare," Hettie says. "Those men over there, they're your uncles."

Years later, after Jackie's death, Alan finds an envelope labelled, 'Mum's Pics'. Inside, there are photographs of two men in military uniforms, one with 'Fred' written on the back, the other, of a soldier in a kilt, 'Brother Bill'. These are Hettie's brothers - or rather, two of them. She was the youngest of nine and the only daughter. Of the other boys, Jackie had told her children, three had been killed in the Great War. A third photograph, of the Foster family gravestone, provides their names - Harry, Sidney and Thomas, "their duty nobly done".

Cannon Fodder traces memory, myth and meaning within one family touched by the catastrophe of World War One.

With contributions from historian Jeremy Banning, Lynelle Howson of the Commonwealth War Graves Commission, retired Salvation Army officers Lt-Cols. David and Doriel Phillips, Ruth Anders of St Anne's Church, Aigburth in Liverpool and Hettie's grandchildren - Cathy, Laureen, Alan and Robin.

With music by Robin's daughter, Leila Hall (voice), and Alan Hall (cornet).

Hilik Magnus is Israel’s foremost search and rescue specialist. He has performed missions, public and private, for over 30 years across six continents. He has worked under the radar during disasters such as 2004’s tsunami and 2008’s Mumbai attacks. He has worked with everyone, from grieving families to cartels and the Taliban, all for the simple purpose of returning people to where they belong.

The start, in the 1990s, was simple. His operating base was an abandoned train carriage in the southern desert of Israel with three telephones and a dial-up connection. Hilik did not know what awaited him. All he knew was that he felt a ‘shlichut’ – ‘higher purpose’ in Hebrew – to help save lives, to return the unburied to their grieving families.

Yet the business grew and now employs 80 people in a hi-tech hub in Tel Aviv. There is GPS, GSM, fibre-optic, and over 2,500 calls for help every year.

In the midst of this change, Hilik is finding it hard to connect the now and then. For him, the purity of the work was in shepherding lost souls, alive or dead, to their rightful place. Strange, mystical encounters at 6,000m above sea-level, exposing national corruption in Bolivia - not board meetings and touchscreens. He hates the city and all it implies. Yet the world moves on, and the work means everything to him. When he lets himself stop, his 76 years catch up with him, leading to days laid up in bed.

Producer: Jeremy Neumark Jones

The Indri lemur, also known as the singing lemur, can be found only in Madagascar’s rainforests. Famous for their eerie, melodic calls, they are one of the few primates that sing and, as it turns out, they have a surprising relationship to rhythm - one that’s very similar to our own.

After hearing news of these unlikely rhythmic capabilities, Georgie Styles ventures into one of the most biodiverse yet threatened ecosystems on Earth to capture the haunting songs of this critically endangered species, as they echo through the treetops. But as she goes deeper into this tale of survival and song, she discovers a hidden female history.

So what can the Indri lemur tell us about the origins of music?

Providing us with the first-ever evidence of complex vocal abilities that exceed those of any other mammal, besides humans, the Indri reveals clues to our own evolutionary journey and offers us a rarely told perspective.

With contributions from primatologist and conservationist, Dr Sylviane Volampeno, primatologist Dr Chiara De Gregorio, researcher Irene Marchesi and a team of Madagascan research guides, A Lemur’s Song connects nature’s melodies to the evolution of music. Through the captivating sounds of Madagascar’s rainforests, the Indris songs and the creative responses of an original score by music artist and saxophonist Laura Misch, Georgie reflects on what sounds can tell us about our world and what we are at risk of losing.

A 2 Degrees West production for BBC Radio 4

If you ask many women in recovery from alcoholism what the term ‘functioning alcoholic’ means to them, they will laugh. In truth, a large percentage of women who end up in treatment had been, to the outside world, ‘functioning’. Holding down jobs, raising children, paying their rent or mortgage. However, internally, ‘functioning’ is about the last word they would use to describe their mental and emotional landscape as alcohol increasingly tightened its grip on their lives.

Here, two women share in raw and brutally honest detail their descent into alcohol dependency, which took place incrementally, behind closed doors, and, for the most part, under the radar as they continued to appear to live regular, ‘functional’ lives.

​​Functioning offers a rare insight into the experience of leading a completely dual existence - the secrecy, the agility and the alchemy required in maintaining a ‘functioning’ exterior, while your interior is coming apart; and a lesson in how much can go undetected when you are not what the world assumes of an alcoholic.

Sound design by Action Pyramid

In the 1930s a group of researchers descended on the northern mill town of Bolton to observe the natives. They christened their chosen case-study 'Worktown'. It was a ground breaking study of working class culture - and one thing they wanted to know was what makes people happy.

The people of Bolton were asked a simple questions "What is happiness to you and yours?" The letters written in response reveal a snapshot of the innermost thoughts and feelings of ordinary people, living ordinary lives almost a century ago.

Katharine Longworth returns to Bolton to discover whether this town still holds the secret to happiness. Exploring the town centre, markets, pasty shops and pubs; she asks the same question, bringing the original letters to life as modern day Boltonians reflect on the insights of their predecessors.

We knock on the doors of those who live in the same spot as the original correspondents, linking them to the past through the words of the letters, and hearing their own reflections on happiness. Have things changed? Is it more difficult to be happier today? And is Bolton the happiest town on earth?

Original letter written by:

Producer: Katharine Longworth

With thanks to Professor Jerome Carson and Dr Sandie McHugh at The University of Greater Manchester.

Time is a journey - the future ahead of us, the past behind.

Our burdens are a weight that we carry, our problems are a puzzle that we solve.

Metaphor is at the heart of how we understand our existence. In a period of huge change and global uncertainty, are we outgrowing the metaphors we have lived by?

The poet Jack Underwood is offering his services as a metaphor consultant, for a very reasonable fee.

Featuring conversations with poet and psychoanalyst Nuar Alsadir; Dr Stephen Flusberg, the Director of the Framing, Reasoning And Metaphor (FRAME) Lab at Vassar College; computer scientist Melanie Mitchell; the philosopher Dr Julia Ng; and the linguist and author of Metaphors We Live By, George Lakoff.

Location recording by Mitra Kaboli, Kristina Loring, Gustavo Martinez and Donelle Wedderburn

Produced by Eleanor McDowall

For decades, Nigerian hall parties have been the hub for communities in the UK, it was the place where they could bring a little bit of home and be transported through music, food and fashion. Full of extravagance, warmth and culture, the word Owambe, both noun and adjective, directly translates to ‘everything is there’. Now, first generation British Nigerians continue this tradition, their way.

Presenter Bisi Akins takes us on a journey through an Owambe, exploring what that “everything” really means. We dive into the key elements of a successful Nigerian hall party, immersed in the sounds, smells, music, and traditions that bring an Owambe to life. We’ll hear from those who lived it, loved it, and how the next generation are keeping the tradition alive.

Bring your big beats, bold outfits, and dancing shoes – Into the Owambe for BBC Radio 4.

A Hill 5.14 production for BBC Radio 4

Bass guitarist and record producer Jah Wobble has had a lifetime’s immersion at the low end of the musical spectrum. Over four decades, his hypnotic bass riffs have powered music from punk to reggae, fusion to world music.

He relates his first experiences as a teenager attending blues dances where Jamaican sound systems played cuts of reggae dub where the bass felt like a force like gravity, and seeing Bob Marley and the Wailers where he was captivated by the playing of bassist Aston ‘Family Man’ Barrett, and on to his own involvement with Public Image Limited, where he brought a dub sensibility into their post-punk music. He discusses his long years as a solo artist, and collaborations with musical legends from Can’s Holger Czukay to Sinead O’Connor, and Primal Scream to Pharoah Sanders.

During these years, Jah Wobble has also been interested in the Science of Bass. So, he meets up with Dr Duncan Edwards of Salford University, to ask him about the special, physical properties of Bass Notes. How do they reach our brains and, once there, what psychological, emotional effects can they have on us? To understand this, he submits to an experiment where his head is wired up, and the Wobble brain waves measured.

After years lost in drink and drugs Jah Wobble turned to Buddhism and became fascinated by alternative explanations of his bass playing that this could give him. He interviews eminent teacher of Tibetan Buddhism, Lama Jampa Thaye, to find further enlightenment. And in a south London Prayer room, he listens to the extraordinary low-pitched chanting of exiled Tibetan monks, where one mantra has the awesome power of a bass note.

Presenter: Jah Wobble

What does Christmas Day mean to you?

This raw, kaleidoscopic audio portrait, made up entirely from voice notes recordings, tracks the emotional contours of the day as it unfolds.

Variously boozy, silly, sad, excited, warm, lonely, deeply spiritual and endearingly humanistic – the contributions chart a cross section of modern Britain, encompassing heartfelt-stories, accidental field recordings, impromptu songs and audio diary entries.

With special thanks to all those who recorded their Christmas Day for us in 2024. Original music and sound design by James Bonney.

Producer: James Bonney