Melvyn Bragg and guests discuss Four Quartets, TS Eliot's last great work which he composed, against a background of imminent and actual world war, as meditations on the relationship between time and humanity.

With

David Moody

Fran Brearton

And

Mark Ford

Producer: Simon Tillotson

Jeremy Irons will be reading TS Eliot's greatest poems, from Prufrock to The Waste Land to Four Quartets, across New Year's Day here on Radio 4.

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, London

Melvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'.

With

Susan Foister

David Blayney Brown

and

James Davey

Producer: Simon Tillotson.

"He who saw the Deep" are the first words of the standard version of The Epic of Gilgamesh, the subject of this discussion between Melvyn Bragg and his guests. Gilgamesh is often said to be the oldest surviving great work of literature, with origins in the third millennium BC, and it passed through thousands of years on cuneiform tablets. Unlike epics of Greece and Rome, the intact story of Gilgamesh became lost to later generations until tablets were discovered by Hormuzd Rassam in 1853 near Mosul and later translated. Since then, many more tablets have been found and much of the text has been reassembled to convey the story of Gilgamesh, king of Uruk the sheepfold, and Enkidu who the gods created to stop Gilgamesh oppressing his people. Together they fight Humbaba, monstrous guardian of the Cedar Forest, and kill the Bull of Heaven, for which the gods make Enkidu mortally ill. Gilgamesh goes on a long journey as he tries unsuccessfully to learn how to live forever, learning about the Great Deluge on the way, but his remarkable building works guarantee that his fame will last long after his death.

With

Andrew George

Frances Reynolds

and

Martin Worthington

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the changes in the intellectual world of Western Europe in the 12th Century, and their origins. This was a time of Crusades, the formation of states, the start of Gothic architecture, a reconnection with Roman and Greek learning and their Arabic development and the start of the European universities, and has become known as The 12th Century Renaissance.

The image above is part of Notre-Dame de la Belle-Verrière, Chartres Cathedral, from 1180.

With

Laura Ashe

Elisabeth van Houts

and

Giles Gasper

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Animal Farm, which Eric Blair published under his pen name George Orwell in 1945.

A biting critique of totalitarianism, particularly Stalinism, the essay sprung from Orwell's experiences fighting Fascists in Spain: he thought that all on the left were on the same side, until the dominant Communists violently suppressed the Anarchists and Trotskyists, and Orwell had to escape to France to avoid arrest.

Setting his satire in an English farm, Orwell drew on the Russian Revolution of 1917, on Stalin's cult of personality and the purges. The leaders on Animal Farm are pigs, the secret police are attack dogs, the supporters who drown out debate with "four legs good, two legs bad" are sheep.

At first, London publishers did not want to touch Orwell's work out of sympathy for the USSR, an ally of Britain in the Second World War, but the Cold War gave it a new audience and Animal Farm became a commercial as well as a critical success.

Featuring:

Steven Connor - Grace 2 Professor of English at the University of Cambridge

Mary Vincent - Professor of Modern European History at the University of Sheffield

Robert Colls - Professor of Cultural History at De Montfort University

Producer: Simon Tillotson

First broadcast on BBC Radio 4 in September 2016.

Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience.

With

Sir Jonathan Bate

Sarah Haggarty

And

Jon Mee

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the number of Muses, their origin and their roles varied in different accounts and at different times, they were consistently linked with the nature of artistic inspiration. This raised a question for philosophers then and since: was a creative person an empty vessel into which the Muses poured their gifts, at their will, or could that person do something to make inspiration flow?

With

Paul Cartledge

Angie Hobbs

And

Penelope Murray

Producer: Simon Tillotson

Image: 'Apollo and the Muses (Parnassus)', 1631-1632. Oil on canvas. Nicolas Poussin (1594-1665).

Melvyn Bragg and guests discuss Tess of the d'Urbervilles by Thomas Hardy, originally serialised in The Graphic in 1891 and, with some significant changes, published as a complete novel in 1892. The book was controversial even before serialisation, rejected by one publisher as too overtly sexual, to which a second added it did not publish 'stories where the plot involves frequent and detailed reference to immoral situations.' Hardy's description of Tess as 'A Pure Woman' in 1892 incensed some Victorian readers. He resented having to censor some of his scenes in the early versions, including references to Tess's baby following her rape by Alec d'Urberville, and even to a scene where Angel Clare lifted four milkmaids over a flooded lane (substituting transportation by wheelbarrow).

The image above, from the 1891 edition, is captioned 'It Was Not Till About Three O'clock That Tess Raised Her Eyes And Gave A Momentary Glance Round. She Felt But Little Surprise At Seeing That Alec D'urberville Had Come Back, And Was Standing Under The Hedge By The Gate'.

With

Dinah Birch

Francis O'Gorman

And

Jane Thomas

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss Elizabeth Barrett Browning's epic "Aurora Leigh" which was published in 1856. It is the story of an orphan, Aurora, born in Italy to an English father and Tuscan mother, who is brought up by an aunt in rural Shropshire. She has a successful career as a poet in London and, when living in Florence, is reunited with her cousin, Romney Leigh, whose proposal she turned down a decade before. The poem was celebrated by other poets and was Elizabeth Barrett Browning's most commercially successful. Over 11,000 lines, she addressed many Victorian social issues, including reform, illegitimacy, the pressure to marry and what women must overcome to be independent, successful writers, in a world dominated by men.

With

Margaret Reynolds

Daniel Karlin

And

Karen O'Brien

Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the poetry of Rumi, the Persian scholar and Sufi mystic of the 13th Century. His great poetic works are the Masnavi or "spiritual couplets" and the Divan, a collection of thousands of lyric poems. He is closely connected with four modern countries: Afghanistan, as he was born in Balkh, from which he gains the name Balkhi; Uzbekistan from his time in Samarkand as a child; Iran as he wrote in Persian; and Turkey for his work in Konya, where he spent most of his working life and where his followers established the Mevlevi Order, also known as the Whirling Dervishes.

With

Alan Williams

Carole Hillenbrand

And

Lloyd Ridgeon

Producer: Simon Tillotson.