In Our Time: Culture

By BBC Radio 4History

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In Our Time: Culture episodes

April 18, 2019 A Midsummer Night's Dream
Melvyn Bragg and guests discuss one of Shakespeare's most popular works, written c1595 in the last years of Elizabeth I. It is a comedy of love and desire and their many complications as well as their simplicity, and a reflection on society's expectations and limits. It is also a quiet critique of Elizabeth and her vulnerability and on the politics of the time, and an exploration of the power of imagination.
With
Helen Hackett
Professor of English Literature and Leverhulme Research Fellow at University College London
Tom Healy
Professor of Renaissance Studies at the University of Sussex
and
Alison Findlay
Professor of Renaissance Drama at Lancaster University and Chair of the British Shakespeare Association
Producer: Simon Tillotson
55 min
March 21, 2019 Gerard Manley Hopkins
Melvyn Bragg and guests discuss the life and works of Hopkins (1844-89), a Jesuit priest who at times burned his poems and at others insisted they should not be published. His main themes are how he, nature and God relate to each other. His friend Robert Bridges preserved Hopkins' poetry and, once printed in 1918, works such as The Windhover, Pied Beauty and As Kingfishers Catch Fire were celebrated for their inventiveness and he was seen as a major poet, perhaps the greatest of the Victorian age.
With
Catherine Phillips
R J Owens Fellow in English at Downing College, University of Cambridge
Jane Wright
Senior Lecturer in English Literature at the University of Bristol
and
Martin Dubois
Assistant Professor in Nineteenth Century Literature at Durham University
Producer: Simon Tillotson
48 min
February 28, 2019 Antarah ibn Shaddad
Melvyn Bragg and guests discuss the life, works, context and legacy of Antarah (525-608AD), the great poet and warrior. According to legend, he was born a slave; his mother was an Ethiopian slave, his father an elite Arab cavalryman. Antarah won his freedom in battle and loved a woman called Abla who refused him, and they were later celebrated in the saga of Antar and Abla. One of Antarah's poems was so esteemed in pre-Islamic Arabia that it is believed it was hung up on the wall of the Kaaba in Mecca.
With
James Montgomery
Sir Thomas Adams's Professor of Arabic at the University of Cambridge
Marlé Hammond
Senior Lecturer in Arabic Popular Literature and Culture at SOAS, University of London
And
Harry Munt
Lecturer in Medieval History at the University of York
Producer: Simon Tillotson
50 min
February 14, 2019 Judith beheading Holofernes
Melvyn Bragg and guests discuss how artists from the Middle Ages onwards have been inspired by the Bible story of the widow who killed an Assyrian general who was besieging her village, and so saved her people from his army and from his master Nebuchadnezzar. A symbol of a woman's power and the defiance of political tyranny, the image of Judith has been sculpted by Donatello, painted on the ceiling of the Sistine Chapel and, in the case of Caravaggio, Liss and Artemisia Gentileschi, been shown with vivid, disturbing detail. What do these interpretations reveal of the attitudes to power and women in their time, and of the artists' own experiences?
The image of Judith, above is from a tapestry in the Duomo, Milan, by Giovanni or Nicola Carcher, 1555
With
Susan Foister
Curator of Early Netherlandish, German and British Painting at the National Gallery
John Gash
Senior Lecturer in History of Art at the University of Aberdeen
And
Ela Nutu Hall
Research Associate at the Sheffield Institute for Interdisciplinary Biblical Studies, at the University of Sheffield
Producer: Simon Tillotson
50 min
January 17, 2019 Samuel Beckett
Melvyn Bragg and guests discuss Samuel Beckett (1906 - 1989), who lived in Paris and wrote his plays and novels in French, not because his French was better than his English, but because it was worse. In works such as Waiting for Godot, Endgame, Molloy and Malone Dies, he wanted to show the limitations of language, what words could not do, together with the absurdity and humour of the human condition. In part he was reacting to the verbal omnipotence of James Joyce, with whom he’d worked in Paris, and in part to his experience in the French Resistance during World War 2, when he used code, writing not to reveal meaning but to conceal it.
With
Steven Connor
Professor of English at the University of Cambridge
Laura Salisbury
Professor of Modern Literature at the University of Exeter
And
Mark Nixon
Associate Professor in Modern Literature at the University of Reading and co-director of the Beckett International Foundation
Producer: Simon Tillotson
49 min
December 13, 2018 Sir Gawain and the Green Knight
In a programme first broadcast in 2018, Melvyn Bragg and guests discuss one of the jewels of medieval English poetry. It was written c1400 by an unknown poet and then was left hidden in private collections until the C19th when it emerged. It tells the story of a giant green knight who disrupts Christmas at Camelot, daring Gawain to cut off his head with an axe if he can do the same to Gawain the following year. Much to the surprise of Arthur's court, who were kicking the green head around, the decapitated body reaches for his head and rides off, leaving Gawain to face his promise and his apparently inevitable death the following Christmas.
The illustration above is ©British Library Board Cotton MS Nero A.x, article 3, ff.94v95
With
Laura Ashe
Professor of English Literature at Worcester College, University of Oxford
Ad Putter
Professor of Medieval English Literature at the University of Bristol
And
Simon Armitage
Poet and Professor of Poetry at the Universities of Leeds and Oxford
Producer: Simon Tillotson
52 min
November 15, 2018 Horace
Melvyn Bragg and guests discuss Horace (65-8BC), who flourished under the Emperor Augustus. He was one of the greatest poets of his age and is one of the most quoted of any age. Carpe diem, nil desperandum, nunc est bibendum – that’s Horace. He was the son of a freedman from southern Italy and, thanks to his talent, achieved high status in Rome despite fighting on the losing side in the civil wars. His Odes are widely thought his most enduring works, yet he also wrote his scurrilous Epodes, some philosophical Epistles and broad Satires. He’s influenced poets ever since, including those such as Wilfred Owen who rejected his line: ‘dulce et decorum est pro patria mori’.
With
Emily Gowers
Professor of Latin Literature at the University of Cambridge and Fellow of St John’s College
William Fitzgerald
Professor of Latin Language and Literature at King’s College London
and
Ellen O’Gorman
Senior Lecturer in Classics at the University of Bristol
Producer: Simon Tillotson
49 min
October 18, 2018 Is Shakespeare History? The Romans
In the second of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, continuing with the Roman plays. Rome was the setting for Titus Andronicus, Julius Caesar, Coriolanus and parts of Antony and Cleopatra and these plays gave Shakespeare the chance to explore ideas too controversial for English histories. How was Shakespeare reimagining Roman history, and what impact has that had on how we see Rome today?
The image above is of Marlon Brando playing Mark Antony in a scene from the film version of Shakespeare's Julius Caesar, 1953
With
Sir Jonathan Bate
Provost of Worcester College, University of Oxford
Catherine Steel
Professor of Classics and Dean of Research in the College of Arts at the University of Glasgow
And
Patrick Gray
Associate Professor of English Studies at Durham University
Producer: Simon Tillotson
49 min
October 11, 2018 Is Shakespeare History? The Plantagenets
In the first of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, starting with the English Plantagenets. His eight plays from Richard II to Richard III were written out of order, in the Elizabethan era, and have had a significant impact on the way we see those histories today. In the second programme, Melvyn discusses the Roman plays.
The image above is of Richard Burton (1925 - 1984) as Henry V in the Shakespeare play of the same name, from 1951
With
Emma Smith
Professor of Shakespeare Studies at Hertford College, University of Oxford
Gordon McMullan
Professor of English at King’s College London and Director of the London Shakespeare Centre
And
Katherine Lewis
Senior Lecturer in Medieval History at the University of Huddersfield
Producer: Simon Tillotson
52 min
October 04, 2018 Edith Wharton
Melvyn Bragg and guests discuss the works of Wharton (1862-1937) such as The Age of Innocence for which she won the Pulitzer Prize and was the first woman to do so, The House of Mirth, and The Custom of the Country. Her novels explore the world of privileged New Yorkers in the Gilded Age of the late C19th, of which she was part, drawing on her own experiences and written from the perspective of the new century, either side of WW1 . Among her themes, she examined the choices available to women and the extent to which they could ever really be free, even if rich.
With
Dame Hermione Lee
Biographer, former President of Wolfson College, Oxford
Bridget Bennett
Professor of American Literature and Culture at the University of Leeds
And
Laura Rattray
Reader in North American Literature at the University of Glasgow
Producer: Simon Tillotson
50 min