In Our Time: Culture

By BBC Radio 4History

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In Our Time: Culture episodes

June 17, 2021 Edward Gibbon
Melvyn Bragg and guests discuss the life and ideas of one of the great historians, best known for his History of the Decline and Fall of the Roman Empire (published 1776-89). According to Gibbon (1737-94) , the idea for this work came to him on 15th of October 1764 as he sat musing amidst the ruins of Rome, while barefooted friars were singing vespers in the Temple of Jupiter. Decline and Fall covers thirteen centuries and is an enormous intellectual undertaking and, on publication, it became a phenomenal success across Europe.
The image above is of Edward Gibbon by Henry Walton, oil on mahogany panel, 1773.
With
David Womersley
The Thomas Wharton Professor of English Literature at St Catherine’s College, University of Oxford
Charlotte Roberts
Lecturer in English at University College London
And
Karen O’Brien
Professor of English Literature at the University of Oxford
Producer: Simon Tillotson
53 min
May 20, 2021 Journey to the West
Melvyn Bragg and guests discuss one of the great novels of China’s Ming era, and perhaps the most loved. Written in 1592, it draws on the celebrated travels of a real monk from China to India a thousand years before, and on a thousand years of retellings of that story, especially the addition of a monkey as companion who, in the novel, becomes supersimian. For most readers the monk, Tripitaka, is upstaged by this irrepressible Monkey with his extraordinary powers, accompanied by the fallen but recovering deities, Pigsy and Sandy.
The image above, from the caricature series Yoshitoshi ryakuga or Sketches by Yoshitoshi, is of Monkey creating an army by plucking out his fur and blowing it into the air, and each hair becomes a monkey-warrior.
With
Julia Lovell
Professor of Modern Chinese History and Literature at Birkbeck, University of London
Chiung-yun Evelyn Liu
Associate Research Fellow at the Institute of Chinese Literature and Philosophy, Academia Sinica, Taiwan
And
Craig Clunas
Professor Emeritus of the History of Art at Trinity College, University of Oxford
Producer: Simon Tillotson
52 min
April 29, 2021 Ovid
Melvyn Bragg and guests discuss the Roman poet Publius Ovidius Naso (43BC-17/18AD) who, as he described it, was destroyed by 'carmen et error', a poem and a mistake. His works have been preserved in greater number than any of the poets of his age, even Virgil, and have been among the most influential. The versions of many of the Greek and Roman myths we know today were his work, as told in his epic Metamorphoses and, together with his works on Love and the Art of Love, have inspired and disturbed readers from the time they were created. Despite being the most prominent poet in Augustan Rome at the time, he was exiled from Rome to Tomis on the Black Sea Coast where he remained until he died. It is thought that the 'carmen' that led to his exile was the Art of Love, Ars Amatoria, supposedly scandalising Augustus, but the 'error' was not disclosed.
With
Maria Wyke
Professor of Latin at University College London
Gail Trimble
Brown Fellow and Tutor in Classics at Trinity College at the University of Oxford
And
Dunstan Lowe
Senior Lecturer in Latin Literature at the University of Kent
Producer: Simon Tillotson
50 min
March 18, 2021 The Bacchae
Melvyn Bragg and guests discuss Euripides' great tragedy, which was first performed in Athens in 405 BC when the Athenians were on the point of defeat and humiliation in a long war with Sparta. The action seen or described on stage was brutal: Pentheus, king of Thebes, is torn into pieces by his mother in a Bacchic frenzy and his grandparents condemned to crawl away as snakes. All this happened because Pentheus had denied the divinity of his cousin Dionysus, known to the audience as god of wine, theatre, fertility and religious ecstasy.
The image above is a detail of a Red-Figure Cup showing the death of Pentheus (exterior) and a Maenad (interior), painted c. 480 BC by the Douris painter. This object can be found at the Kimbell Art Museum in Fort Worth, Texas.
With
Edith Hall
Professor of Classics at King’s College London
Emily Wilson
Professor of Classical Studies at the University of Pennsylvania
And
Rosie Wyles
Lecturer in Classical History and Literature at the University of Kent
Producer: Simon Tillotson
53 min
March 04, 2021 The Rime of the Ancient Mariner
In this 900th edition of the programme, Melvyn Bragg and guests discuss one of the best known and most influential of the poems of the Romantic movement. Samuel Taylor Coleridge (1772-1834) wrote The Rime of the Ancient Mariner in 1798 after discussions with his friend Wordsworth. He refined it for the rest of his life, and it came to define him, a foreshadowing of his opium-addicted, lonely wandering and deepening sense of guilt. The poem tells of a sailor compelled to tell and retell the story of a terrible voyage in his youth, this time as guests are heading to a wedding party, where he stoppeth one of three.
The image above is from Gustave Doré's illustration of the mariner's shooting of the albatross, for an 1877 German language edition of the poem
With
Sir Jonathan Bate
Professor of Environmental Humanities at Arizona State University
Tom Mole
Professor of English Literature and Book History at the University of Edinburgh
And
Rosemary Ashton
Emeritus Quain Professor of English Language and Literature at University College London
Producer: Simon Tillotson
53 min
February 11, 2021 The Rosetta Stone
Melvyn Bragg and guests discuss one of the most famous museum objects in the world, shown in the image above in replica, and dating from around 196 BC. It is a damaged, dark granite block on which you can faintly see three scripts engraved: Greek at the bottom, Demotic in the middle and Hieroglyphs at the top. Napoleon’s soldiers found it in a Mamluk fort at Rosetta on the Egyptian coast, and soon realised the Greek words could be used to unlock the hieroglyphs. It was another 20 years before Champollion deciphered them, becoming the first to understand the hieroglyphs since they fell out of use 1500 years before and so opening up the written culture of ancient Egypt to the modern age.
With
Penelope Wilson
Associate Professor of Egyptian Archaeology at Durham University
Campbell Price
Curator of Egypt and Sudan at the Manchester Museum
And
Richard Bruce Parkinson
Professor of Egyptology and Fellow of The Queen’s College, University of Oxford
Producer: Simon Tillotson
48 min
January 14, 2021 The Great Gatsby
Melvyn Bragg and guests discuss F Scott Fitzgerald’s finest novel, published in 1925, one of the great American novels of the twentieth century. It is told by Nick Carraway, neighbour and friend of the mysteriously wealthy Jay Gatsby. In the age of jazz and prohibition, Gatsby hosts lavish parties at his opulent home across the bay from Daisy Buchanan, in the hope she’ll attend one of them and they can be reunited. They were lovers as teenagers but she had given him up for a richer man who she soon married, and Gatsby is obsessed with winning her back.
The image above is of Robert Redford as Gatsby in a scene from the film 'The Great Gatsby', 1974.
With
Sarah Churchwell
Professor of American Literature and Public Understanding of the Humanities at the University of London
Philip McGowan
Professor of American Literature at Queen’s University, Belfast
And
William Blazek
Associate Professor and Reader in American Literature at Liverpool Hope University
Produced by Simon Tillotson and Julia Johnson
56 min
December 03, 2020 Fernando Pessoa
Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew.
With
Cláudia Pazos-Alonso
Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of Oxford
Juliet Perkins
Visiting Senior Research Fellow in Portuguese Studies at King’s College London
And
Paulo de Medeiros
Professor of English and Comparative Literary Studies at the University of Warwick
Producer: Simon Tillotson
51 min
November 12, 2020 Albrecht Dürer
Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.
With
Susan Foister
Deputy Director and Curator of German Paintings at the National Gallery
Giulia Bartrum
Freelance art historian and Former Curator of German Prints and Drawings at the British Museum
And
Ulinka Rublack
Professor of Early Modern European History and Fellow of St John’s College, University of Cambridge
Studio production: John Goudie
54 min
October 29, 2020 Piers Plowman
Melvyn Bragg and guests discuss William Langland's poem, written around 1370, about a man called Will who fell asleep on the Malvern Hills and dreamed of Piers the Plowman. This was a time between the Black Death and The Peasants’ Revolt, when Christians wanted to save their souls but doubted how best to do it - and had to live with that uncertainty. Some call this the greatest medieval poem in English, one offering questions not answers, and it can be as unsettling now as it was then.
With
Laura Ashe
Professor of English Literature at Worcester College, University of Oxford
Lawrence Warner
Professor of Medieval English at King’s College London
And
Alastair Bennett
Lecturer in Medieval Literature at Royal Holloway, University of London
Producer: Simon Tillotson
52 min