In Our Time: Culture

By BBC Radio 4History

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In Our Time: Culture episodes

October 13, 2022 Nineteen Eighty-Four
Melvyn Bragg and guests discuss George Orwell's (1903-1950) final novel, published in 1949, set in a dystopian London which is now found in Airstrip One, part of the totalitarian superstate of Oceania which is always at war and where the protagonist, Winston Smith, works at the Ministry of Truth as a rewriter of history: 'Who controls the past,' ran the Party slogan, 'controls the future: who controls the present controls the past.' The influence of Orwell's novel is immeasurable, highlighting threats to personal freedom with concepts he named such as doublespeak, thoughtcrime, Room 101, Big Brother, memory hole and thought police.
With
David Dwan
Professor of English Literature and Intellectual History at the University of Oxford
Lisa Mullen
Teaching Associate in Modern Contemporary Literature at the University of Cambridge
And
John Bowen
Professor of English Literature at the University of York
Producer: Simon Tillotson
53 min
July 28, 2022 John Bull
Melvyn Bragg and guests discuss the origin of this personification of the English everyman and his development as both British and Britain in the following centuries. He first appeared along with Lewis Baboon (French) and Nicholas Frog (Dutch) in 1712 in a pamphlet that satirised the funding of the War of the Spanish Succession. The author was John Arbuthnot (1667-1735), a Scottish doctor and satirist who was part of the circle of Swift and Pope, and his John Bull was the English voter, overwhelmed by taxes that went not so much into the war itself but into the pockets of its financiers. For the next two centuries, Arbuthnot’s John Bull was a gift for cartoonists and satirists, especially when they wanted to ridicule British governments for taking advantage of the people’s patriotism.
The image above is by William Charles, a Scottish engraver who emigrated to the United States, and dates from 1814 during the Anglo-American War of 1812.
With
Judith Hawley
Professor of 18th Century Literature at Royal Holloway, University of London
Miles Taylor
Professor of British History and Society at Humboldt, University of Berlin
And
Mark Knights
Professor of History at the University of Warwick
Producer: Simon Tillotson
54 min
July 14, 2022 Dylan Thomas
Melvyn Bragg and guests discuss the celebrated Welsh poet, Dylan Thomas (1914 - 1953). He wrote some of his best poems before he was twenty in the first half of his short, remarkable life, and was prolific in the second half too with poems such as those set in London under the Blitz and reworkings of his childhood in Swansea, and his famous radio play Under Milk Wood (performed after his death). He was read widely and widely heard: with his reading tours in America and recordings of his works that sold in their hundreds of thousands after his death, he is credited with reviving the act of poetry as performance in the 20th century.
With
Nerys Williams
Associate Professor of Poetry and Poetics at University College Dublin
John Goodby
Professor of Arts and Culture at Sheffield Hallam University
And
Leo Mellor
The Roma Gill Fellow in English at Murray Edwards College, University of Cambridge
Producer: Simon Tillotson
51 min
June 09, 2022 Tang Era Poetry
Melvyn Bragg and guests discuss two of China’s greatest poets, Li Bai and Du Fu, who wrote in the 8th century in the Tang Era. Li Bai (701-762AD) is known for personal poems, many of them about drinking wine, and for finding the enjoyment in life. Du Fu (712-770AD), a few years younger, is more of an everyman, writing in the upheaval of the An Lushan Rebellion (755-763AD). Together they have been a central part of Chinese culture for over a millennium, reflecting the balance between the individual and the public life, and one sign of their enduring appeal is that there is rarely agreement on which of them is the greater.
The image above is intended to depict Du Fu.
With
Tim Barrett
Professor Emeritus of East Asian History at SOAS, University of London
Tian Yuan Tan
Shaw Professor of Chinese at the University of Oxford and Professorial Fellow at University College
And
Frances Wood
Former Curator of the Chinese Collections at the British Library
Producer: Simon Tillotson
47 min
May 19, 2022 Olympe de Gouges
Melvyn Bragg and guests discuss the French playwright who, in 1791, wrote The Declaration of the Rights of Woman and of the Female Citizen. This was Olympe de Gouges (1748-93) and she was responding to The Declaration of the Rights of Man and of the Citizen from 1789, the start of the French Revolution which, by excluding women from these rights, had fallen far short of its apparent goals. Where the latter declared ‘men are born equal’, she asserted ‘women are born equal to men,’ adding, ‘since women are allowed to mount the scaffold, they should also be allowed to stand in parliament and defend their rights’. Two years later this playwright, novelist, activist and woman of letters did herself mount the scaffold, two weeks after Marie Antoinette, for the crime of being open to the idea of a constitutional monarchy and, for two hundred years, her reputation died with her, only to be revived with great vigour in the last 40 years.
With
Catriona Seth
Marshal Foch Professor of French Literature at the University of Oxford
Katherine Astbury
Professor of French Studies at the University of Warwick
And
Sanja Perovic
Reader in 18th century French studies at King’s College London
Producer: Simon Tillotson
50 min
May 05, 2022 Polidori's The Vampyre
Melvyn Bragg and guests discuss the influential novella of John Polidori (1795-1821) published in 1819 and attributed first to Lord Byron (1788-1824) who had started a version of it in 1816 at the Villa Diodati in the Year Without A Summer. There Byron, his personal physician Polidori, Mary and Percy Shelley and Claire Clairmont had whiled away the weeks of miserable weather by telling ghost stories, famously giving rise to Mary Shelley's 'Frankenstein'. Emerging soon after, 'The Vampyre' thrilled readers with its aristocratic Lord Ruthven who glutted his thirst with the blood of his victims, his status an abrupt change from the stories of peasant vampires of eastern and central Europe that had spread in the 18th Century with the expansion of the Austro-Hungarian empire. The connection with Lord Byron gave the novella a boost, and soon 'The Vampyre' spawned West End plays, penny dreadfuls such as 'Varney the Vampire', Bram Stoker’s 'Dracula', F.W Murnau's film 'Nosferatu A Symphony of Horror', and countless others.
The image above is of Bela Lugosi (1882-1956) as Count Mora in Metro-Goldwyn-Meyer's 'Vampires of Prague' (1935)
With
Nick Groom
Professor of Literature in English at the University of Macau
Samantha George
Associate Professor of Research in Literature at the University of Hertfordshire
And
Martyn Rady
Professor Emeritus of Central European History at University College London
Producer: Simon Tillotson
52 min
April 28, 2022 The Sistine Chapel
Melvyn Bragg and guests discuss the astonishing work of Michelangelo (1477-1564) in this great chapel in the Vatican, firstly the ceiling with images from Genesis (of which the image above is a detail) and later The Last Judgement on the altar wall. For the Papacy, Michelangelo's achievement was a bold affirmation of the spiritual and political status of the Vatican, of Rome and of the Catholic Church. For the artist himself, already famous as the sculptor of David in Florence, it was a test of his skill and stamina, and of the potential for art to amaze which he realised in his astonishing mastery of the human form.
With
Catherine Fletcher
Professor of History at Manchester Metropolitan University
Sarah Vowles
The Smirnov Family Curator of Italian and French Prints and Drawings at the British Museum
And
Matthias Wivel
The Aud Jebsen Curator of Sixteenth-Century Italian Paintings at the National Gallery
Producer: Simon Tillotson
56 min
April 21, 2022 Antigone
Melvyn Bragg and guests discuss what is reputedly the most performed of all Greek tragedies. Antigone, by Sophocles (c496-c406 BC), is powerfully ambiguous, inviting the audience to reassess its values constantly before the climax of the play resolves the plot if not the issues. Antigone is barely a teenager and is prepared to defy her uncle Creon, the new king of Thebes, who has decreed that nobody should bury the body of her brother, a traitor, on pain of death. This sets up a conflict between generations, between the state and the individual, uncle and niece, autocracy and pluralism, and it releases an enormous tragic energy that brings sudden death to Antigone, her fiance Haemon who is also Creon's son, and to Creon's wife Eurydice, while Creon himself is condemned to a living death of grief.
With
Edith Hall
Professor of Classics at Durham University
Oliver Taplin
Emeritus Professor of Classics, University of Oxford
And
Lyndsay Coo
Senior Lecturer in Ancient Greek Language and Literature at the University of Bristol
Producer: Simon Tillotson
55 min
March 04, 2022 In Our Time is now first on BBC Sounds
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1 min
February 17, 2022 Romeo and Juliet
Melvyn Bragg and guests discuss William Shakespeare's famous tragedy, written in the early 1590s after a series of histories and comedies. His audience already knew the story of the feuding Capulets and Montagues in Verona and the fate of the young lovers from their rival houses, but not how Shakespeare would tell it and, with his poetry and plotting, he created a work so powerful and timeless that his play has shaped the way we talk of love, especially young love, ever since.
The image above is of Mrs Patrick Campbell ('Mrs Pat') as Juliet and Johnson Forbes-Robinson as Romeo in a scene from the 1895 production at the Lyceum Theatre, London
With
Helen Hackett
Professor of English Literature at University College London
Paul Prescott
Professor of English and Theatre at the University of California Merced
And
Emma Smith
Professor of Shakespeare Studies at Hertford College, University of Oxford
Producer: Simon Tillotson
51 min