In Our Time: Culture

Melvyn Bragg and guests discuss the rise in so-called spectacular architecture at the end of the 20th century. Is architecture to do with what we live in, where it’s located, the buildings that accommodate at best so much more than a few private bodies, or is it the spectacular, even show-off, extravagance, even fantasy, of architects - or is it engineers who see the huge swash of public money as an opportunity to plant a place in posterity? Daniel Libeskind has been heralded as one of the greatest architects of his generation and of the latter half of the 20th century. He is the architect of some spectacular buildings - two of which are the Jewish Museum in Berlin and the highly controversial Spiral Extension to London’s own Victoria and Albert Museum, which his critics have described as looking like imploding cardboard boxes.But why are we witnessing at the end of the century a sudden glut of spectacular buildings, such as Libeskind’s? What do they say about the state of contemporary architecture? And do they show a blatant disregard for history? Is it merely‘the architecture of excess in a world of diminishing resources, a chic counterpoint at the end of the 20th century’?With Daniel Libeskind architect of the Jewish Museum in Berlin and the Spiral Extension to London’s Victoria and Albert Museum; Richard Weston, architect and lecturer at De Montfort University.

Melvyn Bragg and guests discuss the enduring popular and academic appeal of Shakespeare. Did he invent the human personality as we inhabit it now? Professor Harold Bloom claims:“Shakespeare is universal. Shakespeare is the true multicultural author. One has to ask the biblical question “Where shall wisdom be found? And I suppose for me the answer is: wisdom is to be found in Shakespeare provided you get at it in the right way.”But why does Shakespeare still hold the popular and indeed academic imagination in the twentieth century? Should we read him above all others as Harold Bloom suggests in the way he suggests? And what does this say about the state of literary criticism today? With Harold Bloom, literary critic, Professor of Humanities, Yale University and Berg Professor of English, New York University; Jacqueline Rose, literary critic and Professor of English, University of London.

Melvyn Bragg examines the social and aesthetic impact of the Avant Garde and discusses whether it has failed in making painting relevant in the 20th century.Avant-garde is in the dictionary as 'anything that is in the forefront of new developments in their media'. Jackson Pollack in the 1960s was seen as one of the leaders of Avant Garde painting. But for the Marxist historian Eric Hobsbawm, Jackson Pollack is merely representative of the uncertainty which has plagued the Avant Garde visual arts movements in the twentieth century, and which has led to paintings' ultimate demise and lack of relevance in the modern age. With Professor Eric Hobsbawm, eminent historian and author of Behind The Times: The Decline and Fall of the Twentieth Century Avant-Gardes; Frances Morris, specialist in contemporary art and Art Programme Curator for the Tate Gallery of Modern Art.

Melvyn Bragg and guests discuss the history of our ideas about the formation of language. The psychologist George Miller worked out that in English there are potentially a hundred million trillion sentences of twenty words in length - that’s a hundred times the number of seconds since the birth of the universe. “Language”, as Chomsky put it, “makes infinite use of finite media”. “Language”, as Steven Pinker puts it, “comes so naturally to us that it’s easy to forget what a strange and miraculous gift it is”. “All over the world”, he writes, “members of our species spend a good part of their lives fashioning their breath into hisses and hums and squeaks and pops and are listening to others do the same”. Jean Jacques Rousseau once said that we differ from the animal kingdom in two main ways - the use of language and the prohibition of incest. Language and our ability to learn it has been held up traditionally as our species’ most remarkable achievement, marking us apart from the animals. But in the 20th century, our ideas about how language is formed are being radically challenged and altered. With Dr Jonathan Miller, medical doctor, performer, broadcaster, author and film and opera director; Steven Pinker, cognitive scientist, Professor of Psychology and Director of the Centre for Neuroscience, Massachusetts Institute of Technology, California.

Melvyn Bragg and guests debate the state of Modern Culture in the 20th century. Culture used to be a word we mocked, a concept too foreign for the stout empiricists of Britain, a species of foreign flummery. Now it is all around us. We have a ministry for it and a newspaper section boldly called Culture.Is contemporary culture evidence of a moral and aesthetic decline in our civilisation this century? Or does it show a society richer and more diverse than it has ever been?Will Self is one of the best known writers of his generation - celebrated as much for his erudite vocabulary as the shocking subject matter of some of his novels and short stories. Roger Scruton is one of the most celebrated philosophers of our age - known as much for his right -wing politics as for the passion with which he defends the past as a way of looking at the future. His latest book is An Intelligent Person’s Guide to Modern Culture, and he prefaces it by saying: “You don’t have to be familiar with the entire canon of western literature and full range of artistic masterpieces but you should have some familiarity with TS Eliot, Baudelaire, Mozart, Wagner, Monet, Poussin, Tennyson, Schoenberg, George Herbert, Goethe, Nietsche, and Marx.”With Will Self, writer and novelist; Roger Scruton, novelist, philosopher and Former Professor at Birkbeck College, London.

Melvyn Bragg and guests discuss one of the most important events of the 20th century - the rise of Feminism and the subsequent empowerment of women. What have been the most important and lasting changes for women in the last 100 years and what is there still left to achieve? Are the biological differences between men and women insuperable? Is the feminist movement therefore set on a course it is inevitably bound to lose? Is the ideology of feminism in other words, working against our natural inclinations?If a man were to say “men are by nature more competitive, ambitious, status-conscious, dedicated, single-minded and persevering than women” then you could be forgiven for calling him anti-diluvian, blinkered and worse. But this is the express view of Dr Helena Cronin from the London School of Economics - a philosopher who has concentrated on Darwinian theory which she claims has never seriously been applied to humans. Joining her is Dr Germaine Greer whose book The Female Eunuch is credited with changing the lives of a generation of women. With Dr Helena Cronin, Co-director of the Centre for the Philosophy of the Natural and Social Sciences, London School of Economics; Dr Germaine Greer, Professor of English and Comparative Studies, Warwick University.

Melvyn Bragg and guests discuss how legitimate it is to call the 20th century the American century. Just how benevolent has America’s impact on the world been? And how durable has American’s initial idealism proved to be? Have ideals of democracy and freedom been forged across the globe as a result of the American influence, or has American oppression made the bigger impact? Has America ignored its own inequalities whilst advocating democratic capitalism elsewhere? Can America still lay claim to the idealism which fired its founders, or has materialism, with its uncomfortable corollary deprivation, lain waste to those early ideals?With Harry Evans, former editor of The Sunday Times, now an American citizen and author of The American Century; John Lloyd, associate editor of The New Statesman and former Times correspondent in Moscow and East European Editor of the Financial Times.

On the fiftieth anniversary of the signing of the Declaration of Human Rights at the United Nations in New York, Melvyn Bragg and guests discuss the current status of that original declaration. Is it possible for any sort of rights to be ‘universal’? What are the implications of the ideas enshrined in that declaration - has the emphasis changed - and if so what are such rights? New thinking in this area has focused on ‘cultural rights’ but do these work alongside human rights, or do they supplant them? Has the advent of globalisation had an impact on human rights, and if so, how? At the end of the 20th century, can we look back to any progress in this area, and, if we look forward, do we see the oncoming train, or the light at the end of the human rights tunnel? With Professor Homi Bhabha, Professor in English Literature and Art, Chicago University and Visiting Professor of the Humanities, University College, London; Profesor John Gray, Professor of European Thought, London School of Economics in January 1998.

Melvyn Bragg and guests discuss the changing nature of work practices and the work ethic as it pertains at the end of the 20th century. Has our understanding of the nature and function of work really changed so radically since the beginning of the century? How can the past inform the future in the rapidly changing work environment? Has technology usurped craftsmanship, or is this no more than a superficial reading of an increasingly complex scene?With Professor Richard Sennett, visiting professor, London School for Economics and author of The Corrosion of Character - the Personal Consequences of Work in the New Capitalism; Theodore Zeldin, historian and Fellow of St Anthony’s College, Oxford; Melanie Phillips, columnist on The Sunday Times and currently working on a book about The Sex Change State.

Melvyn Bragg and guests discuss the artistic, cultural and innovative developments of the city in the 20th century and is joined by two practitioners of the geographer’s art; Professor Doreen Massey, who was awarded the Vautrin Lud International Geography prize - the geographer’s equivalent of the Nobel Prize, and Sir Peter Hall, whose books include The World Cities and Cities Tomorrow. They take a twentieth century perspective on the development of the city. How have cities changed since 1900, and what is their future? How has the 20th century been the century of the city?With Sir Peter Hall, Professor of Planning at the Bartlett School of Architecture and Planning, University College, London, Fellow of the British Academy and a member of the Academia Europea; Doreen Massey, Professor of Geography, Faculty of Social Sciences, Open University and recipient of the Vautrin Lud International Geography Prize and the Victoria Medal of the Royal Geographical Society.